St. Louis Post-Dispatch
“Oundjian gets the 9th [Mahler Symphony No. 9] and all its facets; he maintained what seemed to be effortless control over his large forces and the arc of the symphony, for a formidable performance overall that brought to light all of its conflicting emotions.”
“Oundjian and the musicians beautifully captured Britten’s unsettling combination of surface exuberance and menace underneath, and an equally vibrant account of the Beethoven Triple Concerto drew a tumult of applause…”
“The conductor managed to make Mussorgsky’s well-worn “Pictures” sound quite fresh and invigorating. He lingered effectively over the moodiest movements, seeking out nuances of dynamics and phrasing that helped bring subtle details into focus. And he unleashed terrific power for the in-your-face passages, most impressively in the almost Shostakovich-like assault midway through “Bydlo” and in the concluding “Great Gate of Kiev,” when Oundjian’s spacious pacing and tonal contrasts kept the music from peaking too soon.”
Recognized as a masterful and dynamic presence in the conducting world, Peter Oundjian has developed a multi-faceted portfolio as a conductor, violinist, professor and artistic advisor. He has been celebrated for his musicality, an eye towards collaboration, innovative programming, leadership and training with students and an engaging personality.
Now carrying the title of Conductor Emeritus, Oundjian’s fourteen-year tenure as Music Director of the Toronto Symphony served as a major creative force for the city of Toronto and was marked by a reimagining of the TSO’s programming, international stature, audience development, touring and a number of outstanding recordings, garnering a Grammy nomination in 2018 and a Juno award for Vaughan Williams’ Orchestral Works in 2019. He led the orchestra on several international tours to Europe and the USA, conducting the first performance by a North American orchestra at Reykjavik’s Harpa Hall in 2014.
From 2012-2018, Oundjian served as Music Director of the Royal Scottish National Orchestra during which time he implemented the kind of collaborative programming that has become a staple of his directorship. Oundjian led the RSNO on several international tours, including North America, China, and a European festival tour with performances at the Bregenz Festival, the Dresden Festival as well as in Innsbruck, Bergamo, Ljubljana, and others. His final appearance with the orchestra as their Music Director was at the 2018 BBC Proms where he conducted Britten’s epic War Requiem.
Highlights of past seasons include appearances with the Orchestre de la Suisse Romande, the Detroit, Atlanta, Saint Louis, Baltimore, Indianapolis and New Zealand Symphony Orchestras, with visits to Cincinnati and Milwaukee planned for winter 2020. In January 2019 he transitioned from Artistic Advisor to Music Director for the Colorado Music Festival, commencing a five year tenure.
Oundjian has been a visiting professor at Yale University’s School of Music since 1981, and in 2013 was awarded the school’s Sanford Medal for Distinguished Service to Music. A dedicated educator, Oundjian conducted the Yale and Juilliard Symphony Orchestras and the New World Symphony during the 18/19 season.
An outstanding violinist, Oundjian spent fourteen years as the first violinist for the renowned Tokyo String Quartet before he turned his energy towards conducting.