Winner of the 2020 Glyndebourne Opera Cup, American baritone Edward Nelson is quickly establishing himself as one the most exciting singers of his generation.

This season Mr. Nelson makes his debuts at the Metropolitan Opera in the new production of Champion and at the Teatro Real in the title role of Phillip Glass’ Orphée. He most recently returned to the Norwegian National Opera as the title role in a new production of Il Barbierie di Siviglia and made his debut at the Teatro de la Maestranzathe in Seville as the title role in Pélleas et Mélisande.

An alumnus of both the Merola Opera Program and the Adler Fellowship at the San Francisco Opera, Mr. Nelson has made over 70 appearances on the stage of the War Memorial Opera House. In his final season as an Adler Fellow, he sang mainstage performances of Malatesta in Don Pasquale, Yamadori in Madama Butterfly, and roles in the world premiere of Dream of the Red Chamber. He has since returned as the Bosum in Billy Budd.

Other recent opera engagements have included his debut at Opera Philadelphia in Ne Quittez Pas: A Reimagined ‘La voix humaine,’ where he performed songs of Francis Poulenc alongside Patricia Racette; Glass’ Les Enfants Terrible at Long Beach Opera, Il Barbierie di Siviglia at the Vancouver Opera, the title role in Don Giovanni at Palm Beach Opera, Maximillian in Candide at the Washington National Opera, the Count in Le nozze di Figaro at the Michigan Opera Theater, the title role in Hamlet at West Edge Opera, Schaunard in La Bohème at Cincinnati Opera, and a staged performance of Schubert’s Die schöne Müllerin at Chicago’s Harris Theater, in collaboration with Jessica Lang Dance. During the pandemic he took part in the Boston Lyric Opera’ Desert In, an innovative 8-episode miniseries that began streaming in the summer of 2021.

Mr. Nelson made his European debut at the Norwegian National Opera as the title role in a new production of Pelléas et Mélisande and later returned to the company as Dandini in La Cenerentola. He also made his debut in Spain at the Opera de Oviedo as Pelleas.

Mr. Nelson made his Carnegie Hall debut with the American Symphony Orchestra in Vaughan Williams’ Sea Symphony and Kurt Weill’s Four Walt Whitman Songs. He also sang Sea Symphony with the Milwaukee Symphony and has performed Carmina Burana with the Mobile Symphony, appeared in a recital of Schubert lieder at the Four Arts Society in Palm Beach, and sang both Schaunard in La Bohème and Papageno in The Magic Flute with the Boston Youth Symphony Orchestra at Boston’s Symphony Hall.

A native of California, Mr. Nelson is a graduate of the University of Cincinnati College-Conservatory of Music and received further training at the Tanglewood Music Center. He was National Semi-Finalist in of the 2013 Metropolitan National Council Auditions, and is the recipient of grants from the Gerda Lissner Foundation and the Shoshana Foundation.