The Washington Post
“Chee-Yun met all the technical demands of this music and then some. At once playful and passionate, her bow was consistently precise even at NASCAR speed. Her tremolos shimmered and tender lyricism pervaded slow movements while she moved seamlessly between rapid-fire shifts as soloist or member of the full orchestra.”
Dallas Morning News
“Chee-Yun was the brilliant and suavely nuanced soloist in Mozart’s ‘Turkish’ Violin Concerto (No. 5 in A major, K. 219). With a reduced string complement, Harth-Bedoya got a buoyancy and expressive taper not previously evident in his Mozart performances. A standing ovation was rewarded with a dazzling solo-violin Recitative and Scherzo by Fritz Kreisler, double-stops skittering up and down at daredevil speeds.”
“All else melted away when guest violinist Chee-Yun arrived downstage, her red gown splashed again the orchestra’s workaday blacks, her performance lighted to their hear darkness. And for good reason, because she could pull all those wild sounds from her instrument for Astor Piazzolla’s ‘Four Seasons of Buenos Aires.’ These four tangos, composed independently but rearranged to match Vivaldi’s ‘Four Seasons,’ kept the near-full house on the edge of their seats.”
Portland Press Herald
“Chee-Yun, a violinist with a rich, deep-hued tone and a good sense of how to make the showy solo line – including the lengthy cadenza, a fully packed survey of Romantic virtuoso moves – into poetry rather than mere display…Chee-Yun (she goes by only her first name) offered an electrifying performance of Fritz Kreisler’s unaccompanied Recitative and Scherzo-Caprice (Op. 6) as an encore.”
The Daily Gazette
“Christopher Theofanidis’ Violin Concerto with the explosive violinist Chee-Yun…was a turbulent, propulsive work balanced only by a lullaby-like inner movement. This brought the crowd to its feet with wild applause.”
“The pre-show would not top the main event, with violinist Chee-Yun returning as the featured soloist. The virtuoso left a high bar when she performed here in 2014, but matched herself with a fiery, impassioned feat…Chee-Yun was as dazzling to watch as she was to listen to… “
Violinist Chee-Yun’s flawless technique, dazzling tone, and compelling artistry have enraptured audiences on five continents. Charming, charismatic, and deeply passionate about her art, Chee-Yun continues to carve a unique place for herself in the ever-evolving world of classical music.
A winner of the Young Concert Artists International Auditions and a recipient of the Avery Fisher Career Grant, Chee-Yun has performed with many of the world’s foremost orchestras and conductors. Orchestral highlights include her tours of the United States with the San Francisco Symphony under Michael Tilson Thomas and Japan with the NHK Symphony, a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national television, and a benefit for UNESCO with the Orchestra of St. Luke’s at Avery Fisher Hall. Chee-Yun has performed with such distinguished conductors as Michael Tilson Thomas, Jaap van Zweden, Manfred Honeck, Krzysztof Penderecki, Hans Graf, James DePriest, Jesus Lopez-Cobos, Neeme Järvi, Pinchas Zukerman, Giancarlo Guerrero, José Luis Gomez, Miguel Harth-Bedoya, and Carlos Kalmar. She has appeared with the Toronto, Pittsburgh, Dallas, Atlanta, and National symphony orchestras, as well as with the Saint Paul and Los Angeles Chamber Orchestras. Other orchestral engagements include performances with the Orquesta Sinfonia Nacional, Hong Kong Philharmonic Orchestra, Cincinnati Symphony Orchestra, Mostly Mozart Festival Orchestra, and New World Symphony, as well as appearances with the National Philharmonic, Colorado and Pacific Symphonies, and the Tucson, Detroit, and Pensacola symphony orchestras. A champion of contemporary music, Chee-Yun performed Christopher Theofanidis’ Violin Concerto conducted by David Alan Miller as part of the Albany Symphony’s American Festival, in addition to performing Kevin Puts’ Violin Concerto with the Fort Worth Symphony Orchestra. Recent highlights include her appearance with the Milwaukee Symphony Orchestra, as well as her collaboration with acclaimed guitarist Mak Grgić.
As a recitalist, Chee-Yun has performed in many major U.S. cities, including New York, Chicago, Washington, Los Angeles, San Francisco, and Atlanta. Career highlights include appearances at the Kennedy Center’s “Salute to Slava” gala honoring Mstislav Rostropovich and with the Mostly Mozart Festival on tour in Japan, as well as a performance with Michael Tilson Thomas in the inaugural season of Carnegie Hall’s Zankel Hall and the U.S. premiere of Penderecki’s Sonata No. 2 with pianist Barry Douglas. In 2016, Chee-Yun performed as a guest artist for the Secretary General at the United Nations in celebration of Korea’s National Foundation Day and the 25th anniversary of South Korea joining the UN. In 1993, Chee-Yun performed at the White House for President Bill Clinton and guests at an event honoring recipients of the National Medal of the Arts. Other career highlights include recitals in St. Paul, Buffalo, Omaha, Scottsdale, and Washington, D.C., duo recitals with cellist Alisa Weilerstein, a recital tour with pianist Alessio Bax, and a performance at American Ballet Theatre’s fall gala. Firmly committed to chamber music, Chee-Yun has toured with Music from Marlboro and appears frequently with Spoleto USA, a project she has been associated with since its inception. Additional chamber music appearances include performances at the Ravinia, Aspen, Bravo! Vail Valley, La Jolla, Caramoor, Green Music, Santa Fe, Orcas Island, Hawaii Performing Arts, and Bridgehampton festivals in the U.S.; the Great Mountains Music Festival in South Korea; the Clandeboye Festival with Camerata Ireland in Northern Ireland; the Opera Theatre and Music Festival in Lucca, Italy; the Colmar Festival in France; the Beethoven and Penderecki festivals in Poland; and the Kirishima Festival in Japan.
Chee-Yun has received exceptional acclaim as a recording artist since the release of her debut album of virtuoso encore pieces in 1993. Her recording of Penderecki’s Violin Concerto No. 2 on Naxos was acclaimed as “an engrossing, masterly performance” (The Strad) and “a performance of staggering virtuosity and musicality” (American Record Guide). Her releases on the Denon label include Mendelssohn’s E-minor Violin Concerto, Vieuxtemps’ Violin Concerto No. 5, Lalo’s Symphonie Espagnole and Saint-Saëns’ Violin Concerto No. 3 with the London Philharmonic under the direction of Maestro Lopez-Cobos, and violin sonatas from Debussy, Fauré, Franck, Saint-Saëns, Szymanowski, Brahms and Strauss. Two compilation discs, Vocalise d’amour and The Very Best of Chee-Yun, feature highlights of Chee-Yun’s earlier recordings. In 2007, Chee-Yun recorded the Beethoven Triple Concerto with Camerata Ireland, pianist Barry Douglas, and cellist Andrés Diaz for Satirino Records. In 2008, Decca/Korea released Serenata Notturno, an album of light classics that went platinum within six months of its release.
Chee-Yun has performed frequently on National Public Radio’s Performance Today and on WQXR and WNYC radio in New York City. She has been featured on KTV, a children’s program on the cable network CNBC, A Prairie Home Companion, Public Radio International, and numerous syndicated and local radio programs across the world. She has appeared on PBS as a special guest on Victor Borge’s Then and Now 3, in a live broadcast at Atlanta’s Spivey Hall concurrent with the Olympic Games, and on ESPN performing the theme for the X Games. In 2009, she also appeared in an episode of HBO’s hit series Curb Your Enthusiasm. A short documentary film about Chee-Yun, “Chee-Yun: Seasons on the Road,” premiered in 2017 and is available on YouTube.
Chee-Yun’s first public performance at age eight took place in her native Seoul after she won the Grand Prize of the Korean Times Competition. At 13, she came to the United States and was invited to perform Vieuxtemps’ Concerto No. 5 in a Young People’s Concert with the New York Philharmonic. Two years later, she appeared as soloist with the New York String Orchestra under Alexander Schneider at Carnegie Hall and the Kennedy Center. In 1989, she won the Young Concert Artists International Auditions, and a year later she became the recipient of the prestigious Avery Fisher Career Grant. In Korea, Chee-Yun studied with Nam Yun Kim. In the United States, she has worked with Dorothy DeLay, Hyo Kang, Daniel Phillips, and Felix Galimir (chamber music) at The Juilliard School.
In addition to her active performance and recording schedule, Chee-Yun is a dedicated and enthusiastic educator. She gives master classes around the world and has held several teaching posts at notable music schools and universities. Her past faculty positions have included serving as the resident Starling Soloist and Adjunct Professor of Violin at the University of Cincinnati College-Conservatory of Music and as Visiting Professor of Music (Violin) at the Indiana University School of Music. From 2007 to 2017, she served as Artist-in-Residence and Professor of Violin at Southern Methodist University in Dallas.
Chee-Yun plays a violin made by Francesco Ruggieri in 1669. It is rumored to have been buried with a previous owner for 200 years and has been profiled by the Washington Post.