“Conductor Jader Bignamini drew energetic and virtuosic playing from the Santa Fe Opera Orchestra while being attentive to the needs of the singers. With brisk tempi in the lighthearted scenes and slower but idiomatic music making in the tragic last act, he presented a glorious rendition of Puccini’s immortal score.”
South Florida Classical Review
“Conductor Jader Bignamini was the evening’s real discovery. A former assistant to Riccardo Chailly at La Scala, Bignamini brought intensity and noble phrasing to the operatic excerpts while anticipating and dovetailing the singers’ every breath and turn of phrase. Under his baton, Orchestra Miami sounded twice its size with dynamic playing from all sections. The program’s orchestral interludes were not mere fillers, as they often emerge in these type of concerts, but idiomatic vignettes played at white heat. … Bignamini is a major talent with a promising future.”
Milwaukee Journal Sentinel
“Bignamini and the orchestra gave a deftly crafted, beautifully executed performance of Tchaikovsky’s Capriccio italien before closing the program by enveloping the audience in the enormous, thrilling, visceral sounds of Respighi’s vivid tone poem The Pines of Rome. Conductor and players moved from a sensitive, supportive performance of the Dvorak to compelling, poignant music-making and deft ensemble work in the Tchaikovsky, and a wonderfully evocative performance of Respighi. Bignamini led the players through a colorful, artfully shaped performance of Pines of Rome ….”
San Diego Union Tribune
“Conductor Jader Bignamini was a fine technician, keeping rhythms crisp and the ensemble coordinated. He is one of those stiff-backed conductors who let their arms and face do all the work; the sensitivity and excitement with which the orchestra responded illustrated the communication and cooperation he elicited from the musicians. Indeed, there was a fine sense of rubato in many places that added a rhythmic expressivity ….”
“Jader Bignamini, making his debut in the Met pit, conducts a sweeping and dramatic reading of the score.”
Jader Bignamini is Resident Conductor of the Orchestra Sinfonica la Verdi, following his appointment as Assistant Conductor in 2010 by Riccardo Chailly.
Highlights of the 19-20 season include debuts with the Toronto, Houston, and Dallas Symphonies; Minnesota Orchestra; Canadian Opera Company conducting Aida; and Bayerische Staatsoper conducting La Traviata; and return engagements with the Detroit Symphony and Stadttheater Klagenfurt conducting Eugene Onegin. He continues to tour with soprano Anna Netrebko and tenor Yusif Eyvazov.
Bignamini’s 18-19 season included debuts at the Vienna State Opera and Dutch National Opera conducting Madama Butterfly and a debut with the Milwaukee Symphony; return engagements with Oper Frankfurt conducting La forza del destino and Santa Fe Opera conducting La Bohème; La Traviata in Tokyo directed by Sofia Coppola; and return engagements with the Slovenian and Freiburg Philharmonic Orchestras.
Recent engagements include Madama Butterfly at the Metropolitan Opera, Manon Lescaut at the Bolshoi, Turandot at the Teatro Filarmonica, Il Trovatore at Rome’s Teatro dell’Opera, the opening concert of the Orchestra Filarmonica del Teatro Comunale di Bologna conducting Carmina Burana; La Bohème at the Municipal de São Paulo and La Fenice; L’Elisir d’Amore in Ancona; Tosca at the Comunale di Bologna; La Forza del Destino at the Verdi Festival in Parma; La Bohème, Cavalleria Rusticana, and L’Amor Brujo at Teatro Filarmonico di Verona; Aida at Rome’s Teatro dell’Opera; Madama Butterfly at La Fenice; engagements with Maggio Musicale in Florence, the Festival della Valle d’Itria in Martina Franca, and the MITO Festival conducting Berlioz’ Messe Solennelle. In 2013, Bignamini assisted Riccardo Chailly on concerts of Mahler’s Eighth Symphony in Milan. He made his concert debut at La Scala in 2015.
Bignamini was born in Crema and studied at the Piacenza Music Conservatory.