Peruvian & Mexican American Soprano Vanessa Becerra begins the 23/24 season as the featured soloist at Fort Worth Opera’s annual gala. Additional engagements include returns to Opera Omaha for Don Pasquale (Norina), Minnesota Opera for L’elisir d’amore (Adina) and Arizona Opera for Don Giovanni (Zerlina). On the concert stage she debuts with The Phoenix Symphony for Messiah.

Last season she debuted at Opera Delaware for Opening Night at The Grand followed by debuts with Florida Grand Opera for El matrimonio secreto (Carolina), Opera Omaha for Le nozze di Figaro (Susanna), and Opera Theatre of Saint Louis for Così fan tutte (Despina) along with returns to Minnesota Opera for La fille du régiment (Marie) and Houston Grand Opera for El Milagro del Recuerdo (Un Mujer). On the concert stage, she debuted with the newly formed San Antonio Philharmonic.

Vanessa made debuts at The Metropolitan Opera in Cendrillon (Noémie), Intermountain Opera Bozeman for Il barbiere di Siviglia (Rosina), and Boston Lyric Opera for Roméo et Juliette (Juliette), returned to Washington National Opera for Sankaram’s Rise (Alicia Hernández), part of the world premiere tetralogy Written in Stone, and debuted with Austin Opera for Fidelio (Marzelline) and Opera Parallèle for La Belle et la Bête (Belle). In Concert, she debuted with Minnesota Opera for Ópera Afuera and returned to Fort Worth Opera for Entre Amigos.

She returned to Opera San José for the title role in Il segreto di Susanna by Wolf-Ferrari, debuted with Arizona Opera for the feature length film adaptation and world premiere of The Copper Queen (Julia Lowell), and debuted with St. Croix Valley Opera in a concert of popular arias entitled Opera on the River. Vanessa debuted at Houston Grand Opera in the world premiere of El Milagro del Recuerdo (La mujer) and Washington National Opera in Don Giovanni (Zerlina). Additional recent appearances include Francesca Zambello’s West Side Story (Maria) with Lyric Opera of Kansas City, The Glimmerglass Festival, and Atlanta Opera. She also joined the roster of The Metropolitan Opera and returned to Opera Omaha for Glass’s Les enfants terribles (Lise).

Vanessa debuted with the Los Angeles Philharmonic under the baton of Gustavo Dudamel in Die Zauberflöte (Papagena), San Francisco Symphony with Michael Tilson Thomas in Candide (Paquette), Lyric Opera of Chicago in Fellow Travelers (Miss Lightfoot), Opera Delaware and Baltimore Concert Opera in Werther (Sophie), Opera Omaha in Medea (Glauce), and Atlanta Opera in Sweeney Todd (Johanna).  The winter of 2017 saw Ms. Becerra’s return to Opera San Jose as the title role in Alma Deutscher’s Cinderella (featured internationally on conducted by Jane Glover.

Ms. Becerra is a graduate of the Young Artist Program at the Los Angeles Opera. During her time with LAO, she appeared in Le nozze di Figaro (Barbarina), Die Zauberflöte (Papagena), La traviata (Annina)Gossip 2 in the GRAMMY Award-winning recording of Corigliano’s The Ghosts of Versailles, and as a featured soloist in a concert with bass-baritone Erwin SchrottVanessa enjoys a long relationship with The Glimmerglass Festival where she has been seen in Oklahoma! (Laurey), La bohème (Musetta), and in their Young Artist performances of The Magic Flute (Pamina). Other training programs include Wolf Trap Opera Company, Des Moines Metro Opera, and Seagle Music Colony. She received her master’s degree from The Boston Conservatory, her bachelor’s degree from Texas Christian University in her hometown of Fort Worth, TX and is a graduate of the Fort Worth Academy of Fine Arts.