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American tenor Alek Shrader has developed an outstanding reputation both for his beautiful lyric vocalism and his expressive characterizations.

He has appeared with many of the world’s most prestigious opera companies including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Seattle Opera, Santa Fe Opera, Dallas Opera, Los Angeles Opera, Minnesota Opera, Opera Philadelphia, Pittsburgh Opera, Opera Theatre of Saint Louis, Canadian Opera Company, Opera de Oviedo, Bayersische Staatsoper, Hamburgische Staatsoper, Opera de Lille, Opera National de Bordeaux, Theatre du Capitole de Toulouse, and the Salzburg and Glyndebourne festivals.  His many roles include Alfredo in La Traviata, Count Almaviva in Il barbiere di Siviglia, Lindoro in L’Italiana in Algeri, Tamino in Die Zauberflöte, Ferrando in Così fan tutte, Belmonte in Die Entführung aus dem Serail, Nemorino in L’Elisir d’Amore, Tonio in La Fille du Regiment, Don Ramiro in La Cenerentola, Ernesto in Don Pasquale, Oronte in Alcina, Jupiter & Apollo in Semele, Emilio in Partenope, David in Die Meistersinger von Nürnberg, Camille in The Merry Widow, Tom Rakewell in The Rake’s Progress, the title roles in Candide and Albert Herring, Tony in West Side Story, and Ferdinand in Ades‘ The Tempest.

As a concert singer, Mr. Shrader has appeared with the Cleveland Orchestra, Philadelphia Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Pittsburgh Symphony Orchestra, St. Louis Symphony Orchestra, Cincinnati Symphony Orchestra, and the Accademia Nazionale di Santa Cecilia in Rome. Also an avid recitalist, Mr. Shrader has been presented by Carnegie Hall, San Francisco Performances, the Broad Stage in Santa Monica, CA, Oberlin College, and at the Wigmore Hall in London.

Mr. Shrader has recently ventured into the world of stage directing, making his directorial debut with a production of Dido & Aeneas as part of the Green-Wood Cemetery’s acclaimed performance series “Concerts in the Catacombs”.

This season, Mr. Shrader returns to Opera Philadelphia for Semele, the Minnesota Opera for Il barbiere di Siviglia, and the San Francisco Opera for Partenope. He also sings performances of Handel’s Messiah with the National Symphony Orchestra at the Kennedy Center for the Performing Arts.

Mr. Shrader was a winner of the 2007 Metropolitan Opera National Council Auditions and was the recipient of a Sarah Tucker grant from the Richard Tucker Foundation. He is also an alumna of the San Francisco Opera’s prestigious Adler Fellowship Program.

NOVEMBER 2019