“The playing is the thing, and it is ­spectacular. ­Kavakos’ virtuosity is stunning but not showy. He tosses off the most hair-raising ­pyrotechnics and sound effects…with ease and relish.”


“Playing from memory, Kavakos cleared one hazard after another in Shostakovich’s stupendously original score. He didn’t just spin legato lines in the searching, conversational Nocturne; he expounded entire legato paragraphs in an eloquent, unbroken stream of consciousness. Shredding his way through the Scherzo, his tone was poised, even lavish. Where some violinists convey a sense of anguish in demanding passages — playing two melodies in duet or an endless seesaw of double stops — he sounded effortless. Even his harmonics had a juicy ping.”

The New York Times

“Kavakos ranks among the greatest ­instrumentalists of our time.”

Seattle Times

“With a big, rich, gleaming tone, Kavakos had all the ardor and virtuosity one could wish…”

Dallas Morning News

“Kavakos’ violin playing has always been astoundingly ­virtuosic and blazingly ­insightful… I’m happy to admit Kavakos to the pantheon of musician-philosophers.”

The Guardian

“The highlight of the afternoon was Bartók’s ­Second ­Violin Concerto, which got a ­masterful ­performance from the Greek violinist Leonidas Kavakos. His ­technique is immaculate: he ­navigated all of the concerto’s virtuoso hurdles without too much apparent effort. Even more impressive were the lucid, singing tone of his playing and his elegant phrasing.”

Boston Globe

“In a striking and original interpretation of the ­Sibelius Violin Concerto with the San Francisco ­Symphony, ­Kavakos stripped this extravagant work of all ­indulgences to deliver a lean, ­purposeful, and deeply ­absorbing ­performance.  The sense that something ­different was about to happen was apparent right away.  From a ­quietly insistent opening phrase to an early ­cadenza, Kavakos staked out his territory with a woody, fibrous tone – reminiscent of a fine baritone’s probing, amber-toned voice – that seemed to stride into the score instead of sailing across its swooping surfaces.”

San Francisco Classical Voice

“…time and time again, he juiced out rivulets of sound from just a couple inches of bow. Like any Brahms interpretation worth its salt, his performance leaned into the work’s inherent narrativity. In the first movement, he wound out of the finger-tying cadenza with genial windedness, as though acknowledging the hugeness of the disclosure just before.”

Chicago Tribune

Leonidas Kavakos is recognized across the world as a violinist and artist of rare quality, acclaimed for his matchless technique, his captivating artistry and his superb musicianship, and the integrity of his playing. He works regularly with the world’s greatest orchestras and conductors and plays as recitalist in the world’s premier halls and festivals.

Kavakos has developed close relationships with major orchestras such as the Vienna Philharmonic Orchestra, Berliner Philharmoniker, Royal Concertgebouw Orchestra, London Symphony Orchestra and Gewandhausorchester Leipzig. Kavakos also works closely with the Dresden Staatskapelle, Bayerischer Rundfunk, Munich Philharmonic and Budapest Festival orchestras, Orchestre de Paris, Academia Nazionale di Santa Cecilia, Orchestra Filarmonica della Scala.

In recent years, Kavakos has succeeded in building a strong profile as a conductor and has conducted the New York Philharmonic, Minnesota Orchestra, Houston Symphony, Dallas Symphony, Gürzenich Orchester, Vienna Symphony, Orchestre Philharmonique de Radio France, Chamber Orchestra of Europe, Maggio Musicale Fiorentino, Filarmonica Teatro La Fenice, and the Danish National Symphony Orchestra. Most recently he had a great success conducting the Israel Philharmonic.

In the 23/24 season, Kavakos is honored as guest soloist at Carnegie Hall’s Opening Night Gala with the Chicago Symphony Orchestra and Riccardo Muti, as well as soloist at the CSO’s own Symphony Ball during its opening week. He will join the orchestra again for Szymanowski’s Violin Concerto No. 2 in November. Other US engagements include performances with the Boston Symphony and San Francisco Symphony, and a series of recitals with his regular partners Emanuel Ax and Yo-Yo Ma. Kavakos will perform a number of concerts throughout Europe including with the Wiener Symphoniker, Gewandhausorchester Leipzig, Staatskapelle Berlin, Luxembourg Philharmonic, Gothenburg Symphony; and will play-conduct the Philharmonia Orchestra at Royal Festival Hall and the Orchestre Philharmonique de Radio France. He will also conduct the Accademia Nazionale di Santa Cecilia.

Kavakos is an exclusive recording artist with Sony Classics. Recent releases include Bach: Sei Solo and the re-release of his 2007 recording of the complete Beethoven Sonatas with Enrico Pace, for which he was named Echo Klassik Instrumentalist of the year. In 2022 Kavakos released Beethoven for Three: Symphonies Nos. 2 and 5 arranged for trio, with Emanuel Ax and Yo-Yo Ma. The second album from this series included Symphony No. 6, “Pastoral” and was released in November 2022, with further recordings planned for the 23-24 season.

Born and brought up in a musical family in Athens, Kavakos curates an annual violin and chamber music masterclass in Athens, which attracts violinists and ensembles from all over the world. He plays the ‘Willemotte’ Stradivarius violin of 1734.