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“The Los Angeles Philharmonic New Music Group was conducted with exceptional vibrancy and dramatic flair by Christopher Rountree.”

The Los Angeles Times

“The orchestra led by Christopher Rountree … made the audience feel as possessed as the protagonists.”

The Wall Street Journal

“Elegant clarity.”

The New York Times

“Searing. Penetrating. Thrilling.”

Performance Today

We see Lady Macbeth in a dozen crooning silhouettes washing blood out of rags over bright porcelain sinks; hear Stravinsky pouring out of an abandoned warehouse; see dozens of watermelons fly off Disney Hall; hear a black and white overture imploring against hatred; parse a chorus singing Haydn’s Creation backwards; watch a violinist cutting himself out of duct tape with a razor as his amplified violin sits gathering feedback; listen to three minutes of Le nozze di Figaro on repeat for twelve hours; celebrate with rituals joyous for the end of the world; witness a longlost John Adams suite come alive; and hear the sound of rose-petal jam-making as music. Conductor and composer Christopher Rountree stands at the intersection of classical music, new music, performance art and pop.

Highlights of the 2020-21 season include his debut with Long Beach Opera conducting Philip Glass’ Les Enfants Terribles, and the premiere of a commission for Martha Graham Dance Company. In the 2019-20 season, Rountree began recording a fourvolume set of the music of Julius Eastman. In conjunction with this recording project, he toured the country with Wild Up, culminating in an Eastman portrait at the National Gallery. With the Martha Graham Dance Company, he continues a multi-year project resurrecting old works. Additionally, Rountree collaborated with the Los Angeles Chamber Orchestra and Four Larks, filmmaker Bill Morrison and composer Alex Somers at the ACE Hotel, and inaugurates an ambient series at Descanso Gardens with co-artistic director Anna Bulbrook. Rountree is currently working on two operas about love and technology with librettists Royce Vavrek and Roxie Perkins.

Rountree’s inimitable style has led to collaborations with: Björk, John Adams, Yoko Ono, David Lang, Scott Walker, La Monte Young, Esa-Pekka Salonen, Mica Levi, Alison Knowles, Yuval Sharon, Sigourney Weaver, Tyshawn Sorey, Ragnar Kjartansson, Ashley Fure, Julia Holter, Claire Chase, Missy Mazzoli, Ryoji Ikeda, Du Yun, Thaddeus Strassberger, Ellen Reid, Ted Hearne, James Darrah, and many of the planet’s greatest orchestras and ensembles including the San Francisco, Chicago, National, Houston, and Cincinnati Symphonies; the Los Angeles Philharmonic; International Contemporary Ensemble; Roomful of Teeth; Opéra national de Paris; the Los Angeles, Washington National, and Atlanta Operas; and the Martha Graham Dance Company. He has presented compositions and concerts at Walt Disney Concert Hall, Palais Garnier, Mile High Stadium, the Coliseum, Kennedy Center, Philadelphia Museum of Art, ACE Hotel, National Sawdust, MCA Denver, The Hammer, The Getty, a basketball court in Santa Cruz, and at Lincoln Center on the New York Philharmonic’s Biennale.

Rountree is the artistic director and conductor of Wild Up, the ensemble he founded in 2010, and artistic director of an interdisciplinary ambient series in an oak grove in LA called SILENCE. Rountree is a seventh-generation Californian descended from the first sheriffs of Santa Cruz County, he lives in the Silver Lake neighborhood of Los Angeles.

APRIL 2021