The New York Times
“Few artists have burst onto the classical music scene in recent years with the incandescence of the pianist Daniil Trifonov.”
“Trifonov’s recital was breathtaking. [Martha. Argerich last year told the FT she had never before heard a touch like his, and all I can do is concur: it’s not just a matter of precision and weighting, it’s a unique amalgam of fastidious tenderness and seemingly unfettered wildness.
“He is, no other word, a phenomenon. Like Rachmaninov, he is both a dazzling pianist and a composer. ”
The Los Angeles Times
“Daniil Trifonov is an astonishing pianist.”
New York Times
“A slender man with an exuberant stage presence, Mr. Trifonov is certainly a virtuoso with a demonstrably prizewinning technique … [He] demonstrated an elegant touch and witty grace in more lighthearted moments and poetic insight in more introspective passages.”
“With his stupendous technique and fingers like coiled springs, he tore through the propulsive runs and fiendish hand-crossings with razor-sharp clarity, dexterity and strength. Yet there was not a trace of pounding, no blatant pedal-pushing, no cheap histrionics, just prime Prokofiev. Such was the pianist’s control that the moonstruck deliberation he brought to the slow movement didn’t send the music off the rails.”
The Washington Post
“It’s nice when a concert feels like an event: the crowded hall, the sense of anticipation. It’s also nice when it lives up to its promise. Audience members came for Daniil Trifonov, the hipster poet of the piano, who caressed the keys until they yielded music that was like a sinuous being of its own.”
Grammy Award-winning pianist Daniil Trifonov (dan-EEL TREE-fon-ov) – Musical America’s 2019 Artist of the Year – has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more … tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. With Transcendental, the Liszt collection that marked his third title as an exclusive Deutsche Grammophon artist, Trifonov won the Grammy Award for Best Instrumental Solo Album of 2018. As The Times of London notes, he is “without question the most astounding pianist of our age.”
In October 2021, Trifonov released Bach: The Art of Life on Deutsche Grammophon, featuring The Art of Fugue with the pianist’s own completion of the final contrapunctus, selections from the Notebook for Anna Magdalena Bach, music by four of Johann Sebastian’s sons, and two pieces known to have been Bach family favorites. The 2021-22 season also saw Trifonov embark on two recital tours, with a program centered on The Art of Fugue in Europe, and with a program of Prokofiev, Szymanowski, Debussy and Brahms in the States. Brahms’s First Piano Concerto was the vehicle for appearances with both the Dallas Symphony under Fabio Luisi and the Philharmonia Zurich under Gianandrea Noseda, while with Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia and Antonio Pappano Trifonov played Mozart’s Ninth “Jeunehomme” Piano Concerto on a European tour. He also performed all five of Beethoven’s Piano Concertos in various combinations with eight different orchestras, including the New York Philharmonic, Munich Philharmonic, Budapest Festival Orchestra and Toronto Symphony. To balance these repertoire staples, Trifonov gave the world premiere performances of Mason Bates’s new Piano Concerto, composed for him during the pandemic, with ensembles incuding the co-commissioning Philadelphia Orchestra and San Francisco Symphony.
Highlights of recent seasons include a multi-faceted, season-long tenure as 2019-20 Artist-in-Residence of the New York Philharmonic under Jaap van Zweden, featuring the New York premiere of Trifonov’s own Piano Quintet, and a seven-concert, season-long Carnegie Hall “Perspectives” series, crowned by a performance of the pianist’s own Piano Concerto. Trifonov played Tchaikovsky’s First under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th-anniversary celebrations; launched the New York Philharmonic’s 2018-19 season; headlined complete Rachmaninov concerto cycles at the New York Philharmonic’s Rachmaninov Festival and with London’s Philharmonia Orchestra and the Munich Philharmonic; undertook season-long residencies with the Berlin Philharmonic and at Vienna’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto; and headlined the Berlin Philharmonic’s famous New Year’s Eve concert under Sir Simon Rattle. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’s Salle Pleyel in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington DC; Boston’s Celebrity Series; London’s Barbican, Royal Festival and Queen Elizabeth Halls; Amsterdam’s Concertgebouw (Master Piano Series); Berlin’s Philharmonie; Munich’s Herkulessaal; Bavaria’s Schloss Elmau; Zurich’s Tonhalle; the Lucerne Piano Festival; the Palais des Beaux-Arts in Brussels, the Théâtre des Champs Élysées and Auditorium du Louvre in Paris; Barcelona’s Palau de la Música; Tokyo’s Opera City; the Seoul Arts Center; and Melbourne’s Recital Centre.
Trifonov received Opus Klassik’s 2021 Instrumentalist of the Year/Piano award for Silver Age, his album of Russian solo and orchestral piano music by Scriabin, Prokofiev and Stravinsky. Released in fall 2020, this followed 2019’s Destination Rachmaninov: Arrival, for which the pianist received a 2021 Grammy nomination. Presenting the composer’s First and Third Concertos, Arrival represents the third volume of the Deutsche Grammophon series Trifonov recorded with the Philadelphia Orchestra and Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. Deutsche Grammophon has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced, and Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist, which captured Trifonov’s sold-out 2013 Carnegie Hall recital debut live and scored him his first Grammy nomination.
It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics, in 2016 he was named Gramophone’s Artist of the Year and in 2021 he was made a “Chevalier de l’Ordre des Arts et des Lettres” by the French government.
Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble and orchestra. When he premiered his own Piano Concerto, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”