The New York Times“Few artists have burst onto the classical music scene in recent years with the incandescence of the pianist Daniil Trifonov.”
Financial Times“Trifonov’s recital was breathtaking. [Martha. Argerich last year told the FT she had never before heard a touch like his, and all I can do is concur: it’s not just a matter of precision and weighting, it’s a unique amalgam of fastidious tenderness and seemingly unfettered wildness.
The Guardian“He is, no other word, a phenomenon. Like Rachmaninov, he is both a dazzling pianist and a composer. ”
The Los Angeles Times“Daniil Trifonov is an astonishing pianist.”
New York Times“A slender man with an exuberant stage presence, Mr. Trifonov is certainly a virtuoso with a demonstrably prizewinning technique … [He] demonstrated an elegant touch and witty grace in more lighthearted moments and poetic insight in more introspective passages.”
Chicago Tribune“With his stupendous technique and fingers like coiled springs, he tore through the propulsive runs and fiendish hand-crossings with razor-sharp clarity, dexterity and strength. Yet there was not a trace of pounding, no blatant pedal-pushing, no cheap histrionics, just prime Prokofiev. Such was the pianist’s control that the moonstruck deliberation he brought to the slow movement didn’t send the music off the rails.”
The Washington Post“It’s nice when a concert feels like an event: the crowded hall, the sense of anticipation. It’s also nice when it lives up to its promise. Audience members came for Daniil Trifonov, the hipster poet of the piano, who caressed the keys until they yielded music that was like a sinuous being of its own.”
Grammy Award-winning pianist Daniil Trifonov (dan-EEL TREE-fon-ov) has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more, … tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. With Transcendental, the Liszt collection that marked his third title as an exclusive Deutsche Grammophon artist, Trifonov won the Grammy Award for Best Instrumental Solo Album of 2018. Named Gramophone’s 2016 Artist of the Year and Musical America’s 2019 Artist of the Year, he was made a “Chevalier de l’Ordre des Arts et des Lettres” by the French government in 2021. As The Times of London notes, he is “without question the most astounding pianist of our age.”
Trifonov undertakes season-long artistic residencies with both the Chicago Symphony Orchestra and Czech Philharmonic in 2024-25. A highlight of his Chicago residency is Brahms’s Second Piano Concerto with Klaus Mäkelä, and his Czech tenure features Dvořák’s Piano Concerto with Semyon Bychkov, first at season-opening concerts in Prague and then on tour in Toronto and at New York’s Carnegie Hall. Trifonov also opens the Leipzig Gewandhaus Orchestra’s season with Mozart’s 25th Piano Concerto under Andris Nelsons; performs Prokofiev’s Second with the San Francisco Symphony and Esa-Pekka Salonen; reprises Dvořák’s concerto for a European tour with Jakub Hrůša and the Bamberg Symphony; plays Ravel’s G-major Concerto with Hamburg’s NDR Elbphilharmonie Orchestra and Alan Gilbert; and joins Rafael Payare and the Montreal Symphony for concertos by Schumann and Beethoven on a major European tour of London, Amsterdam, Luxembourg, Paris, Hamburg, Berlin, Munich, and Vienna. In recital, Trifonov appears twice more at Carnegie Hall, first on a solo tour that also takes in Chicago and Philadelphia, and then with violinist Leonidas Kavakos, with whom he also appears in Chicago, Boston, Kansas City, and Washington, DC. Fall 2024 brings the release of My American Story, the pianist’s new Deutsche Grammophon double album, which pairs solo pieces with concertos by Gershwin and Mason Bates. Bates’s concerto is dedicated to Trifonov and both orchestral works were captured live with Yannick Nézet-Séguin and the Philadelphia Orchestra, who previously partnered with the pianist on his award-winning Destination Rachmaninov series.
Last season, Trifonov performed Brahms concertos with the Cleveland Orchestra, Los Angeles Philharmonic, Atlanta Symphony, and Toronto Symphony; Schumann’s with the New York Philharmonic; Mozart’s “Jeunehomme” at Carnegie Hall, the Kennedy Center, and other U.S. venues with the Rotterdam Philharmonic; Chopin with the Orchestre de Paris; Bates’s Concerto with the Chicago Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Deutsches Symphonie-Orchester Berlin; and Gershwin and Rachmaninov with the Philadelphia Orchestra, at home and on a European tour. In recital, he joined cellist Gautier Capuçon for dates in Europe and toured a new solo program to such musical hotspots as Vienna, Munich, Barcelona, Madrid, Venice, Milan, Boston, San Francisco, Dallas, and New York, at Carnegie Hall.
In fall 2022, Trifonov headlined the season-opening galas of Washington’s National Symphony Orchestra and New York’s Carnegie Hall, where his Opening Night concert with the Philadelphia Orchestra marked the first of his four appearances at the venue in 2022-23. Other recent highlights include a multi-faceted, season-long tenure as 2019-20 Artist-in-Residence of the New York Philharmonic, featuring the New York premiere of his own Piano Quintet; a season-long Carnegie Hall “Perspectives” series; the world premiere performances of Bates’s Piano Concerto with ensembles including the co-commissioning Philadelphia Orchestra and San Francisco Symphony; playing Tchaikovsky’s First under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th-anniversary celebrations; launching the New York Philharmonic’s 2018-19 season; headlining complete Rachmaninov concerto cycles at the New York Philharmonic’s Rachmaninov Festival and with London’s Philharmonia Orchestra and the Munich Philharmonic; undertaking season-long residencies with the Berlin Philharmonic, Rotterdam Philharmonic, Radio France, and at Vienna’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto; and headlining the Berlin Philharmonic’s famous New Year’s Eve concert under Sir Simon Rattle.
Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’s Salle Pleyel in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington DC; Boston’s Celebrity Series; London’s Barbican, Royal Festival, and Queen Elizabeth Halls; Amsterdam’s Concertgebouw (Master Piano Series); Berlin’s Philharmonie; Munich’s Herkulessaal; Bavaria’s Schloss Elmau; Zurich’s Tonhalle; the Lucerne Piano Festival; the Palais des Beaux-Arts in Brussels; the Théâtre des Champs Élysées and Auditorium du Louvre in Paris; Barcelona’s Palau de la Música; Tokyo’s Opera City; the Seoul Arts Center; and Melbourne’s Recital Centre.
Last season, Deutsche Grammophon released a deluxe CD & Blu-Ray edition of the pianist’s best-selling 2021 album Bach: The Art of Life. Featuring Bach’s masterpiece The Art of Fugue, as completed by Trifonov himself, the recording scored the pianist his sixth Grammy nomination, while an accompanying music video was recognized with the 2022 Opus Klassik Public Award. Trifonov also received Opus Klassik’s 2021 Instrumentalist of the Year/Piano award for Silver Age, his album of Russian solo and orchestral piano music by Scriabin, Prokofiev, and Stravinsky. Released in fall 2020, this followed 2019’s Destination Rachmaninov: Arrival, for which the pianist received a 2021 Grammy nomination. Presenting the composer’s First and Third Concertos, Arrival represents the third volume of the DG series Trifonov recorded with the Philadelphia Orchestra and Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. DG has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced, and Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive DG artist, which captured his sold-out 2013 Carnegie Hall recital debut live and secured him his first Grammy nomination.
It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics.
Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own Piano Concerto, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”
JULY 2024