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“Olmeda is an accomplished young soloist who I definitely look forward to hearing again: her commanding stage presence, infallible technique, and interpretive ability already rival that of international concert stage veterans…The tremendous audience response suggested that Olmeda is more than destined for a long and fruitful career.”

Violinist.com

“Given the Violin Concerto’s extravagant flash and flair, as well as soaring, yearning lyricism, you might wonder why it’s rarely performed. Well, it calls for a first-class violinist, and the orchestra is challenged to coordinate all sorts of tricky rhythms and textures. On Thursday it had a soloist of jaw-dropping virtuosity, but also suave musicianship, in Amaryn Olmeda..she dispatched the most fearsome leaps, scurries and double stops as if no trouble at all…”

Dallas Morning News

“Olmeda maintained a clear, singing violin tone that balanced the orchestra perfectly as she negotiated the alternately brilliant and devilish virtuoso passages peppered with multiple stops, and the more lyrical interludes, many containing exotic themes resembling those from Rózsa’s epic film scores.”

Texas Classical Review

“The violinist Amaryn Olmeda is nimble-fingered through the fiddling virtuosity of Carlos Simon’s solo “Between Worlds.”

The New York Times

“The result was a three minute work for solo violin, played with dazzling pyrotechnics by Amaryn Olmeda using every violin trick in the book. Wonderful, wonderful!!”

Concertonet.com

“Go and find a video of Amaryn Olmeda of Loomis [CA] playing the violin on YouTube, and you will not be surprised that she has won so many competitions with her music. You might be surprised that it was in the junior division.”

Sacramento Bee

“Prodigy is a big word to throw around. But in the case of our next guest, there may be no better description.”

90.9 KXJZ Capital Public Radio

Winner of first prize and the audience choice award at the 24th Annual Sphinx Competition, American violinist Amaryn Olmeda is a rising star sought after for her bold and expressive performances as a soloist and collaborator. Violinist.com says of Olmeda, “…her commanding stage presence, infallible technique, and interpretive ability already rival that of international concert stage veterans.”

Highlights of the 2026-2027 season include opening weekend performances with the Tucson, Albany, and Ann Arbor Symphonies. As this season’s Artist-in-Residence with the Tucson Symphony, she will also return for an additional series of self-curated “Up Close” chamber concerts. She makes her debut at The Cliburn and Fort Worth Symphony with Robert Spano, Lancaster Symphony, Symphony Nova Scotia, and Victoria Symphony (TX).

Olmeda returns in appearance with the Sphinx Organization for their 30th Anniversary Gala at Carnegie Hall. She will make her debut in recital with the Hayti Heritage Center and Pepperdine University.

Olmeda made her New York Philharmonic debut at David Geffen Hall in July 2026 to a sold-out audience and rave reception. Her solo debut at Lincoln Center was featured on the 2024 Summer for the City Series. Later that season, she returned to David Geffen Hall on the New York Philharmonic’s Kravis Nightcap Series with violinist Hilary Hahn and principal ballet dancer Tiler Peck. She made her Carnegie Hall solo debut on the Sphinx Virtuosi tour at the age of 14, garnering rave reviews.

Recent highlights include debuts with the Philadelphia Orchestra, Cleveland Orchestra, Houston Symphony, Dallas Symphony, Seattle Symphony, Charlotte Symphony, Omaha Symphony, Tallahassee Symphony, and Calgary Philharmonic, as well as return appearances with the Buffalo Philharmonic, Des Moines Symphony, Modesto Symphony, Stockton Symphony, and Auburn Symphony. Recital highlights include debuts with Vivo Performing Arts (formerly Celebrity Series of Boston) and the Kravis Center for Performing Arts.

In 2023, she recorded Carlos Simon’s Between Worlds on Deutsche Grammophon, praised by The Strad as “an impressive reading by the young musician.” In 2022, Olmeda performed for the San Francisco Conservatory Gala with Yuja Wang. At 13, Olmeda became the first member of the San Francisco Conservatory of Music and Opus 3 Artist’s Artist Apprentice Program.

Born in 2008, Olmeda currently studies at the New England Conservatory of Music with Miriam Fried. She previously studied with Ian Swensen at the San Francisco Conservatory of Music. Olmeda performs on a violin by Nicola Bergonzi, made in Cremona circa 1796, on generous loan from Reuning & Son Violins.

2026-2027