The New Yorker
“The world’s reigning male chorus”
New York Times
“These men are phenomenal: as fresh as a blade of grass, tightly focused and keenly expressive.”
San Francisco Chronicle
“They are, to put it directly, one of the world’s best.”
Los Angeles Times
“Chanticleer fascinates and enthralls for much the same reason a fine chocolate or a Rolls Royce does: through luxurious perfection.”
“I can’t think of another ‘orchestra of voices’ that can shuttle with such proficiency from Renaissance polyphony to gospel, contemporary classical to jazz.”
Dallas Morning News
“Among the most versatile and virtuoso singers anywhere. They have style, and they have class. They also have an infallible sense of pitch, a very flexible ensemble and a deeply ingratiating sound.”
“Chanticleer’s stage presence was eye-catching in its precision and its elegance … However, it was the mellifluous singing with its seamless blending of voices and effortless polyphony in Palestrina’s Gaude gloriosa that was more astounding still.”
“America’s a cappella pride and joy.”
“The singing of Chanticleer is breathtaking in its accuracy of intonation, purity of blend, variety of color and swagger of style.”
San Jose Mercury News
“Chanticleer could sing the Turtles’ greatest hits and make them sound like heavenly hosannas. That’s how extraordinary it is, this 12-voice male choir. It produces a sound of sheer beauty. It’s an oasis in a noisy and disturbing world.”
Called “the world’s reigning male chorus” by the New Yorker, the San Francisco based GRAMMY® award-winning ensemble Chanticleer embarks on its 42nd season in 2019-20, performing up to 100 concerts in the United States, the Bay Area and around the world. Praised by the San Francisco Chronicle for its “tonal luxuriance and crisply etched clarity,” Chanticleer is known around the world as “an orchestra of voices” for its seamless blend of twelve male voices ranging from soprano to bass and its original interpretations of vocal literature, from Renaissance to jazz and popular genres, as well as contemporary composition.
Chanticleer’s 2019-20 season will be the fifth under the direction of Music Director William Fred Scott. Trade Winds, celebrating ocean voyaging and exotic climes, will include the world premiere performances of John Masefield’s poem ‘Trade Winds’ by Michigan based composer Zhou Tian, Portuguese music new to the ensemble, songs from the Asia-Pacific region as well as early music by Monteverdi, Gesualdo and Penalosa. Chanticleer’s popular A Chanticleer Christmas is heard this season in Virginia, New York, New Jersey and Illinois before coming home for 13 performances in the Bay Area and Southern California. A Chanticleer Christmas is broadcast annually on over 300 affiliated public radio stations nationwide. Chanticleer’s renowned National Youth Choral Festival, hosting 10 choruses from around the country for five days of workshop and performance takes place in March, and Faith of our Fathers, the seasons’s final concert, will traverse a broad sacred repertoire. New in 2018-19, a Salon Series consisting of intimate performances in unusual locations will be announced.
With the help of individual contributions, government, foundation and corporate support, Chanticleer’s education programs engage over 5,000 young people annually. The Louis A. Botto (LAB) Choir—an after-school honors program for high school and college students—is now in its eighth year, adding to the ongoing program of in-school clinics and workshops; Youth Choral Festivals™ in the Bay Area and around the country; Skills/LAB–an intensive summer workshop for 50 high school students; master classes for university students nationwide. Chanticleer’s education program was recognized with the 2010 Chorus America Education Outreach Award.
Since Chanticleer began releasing recordings in 1981, the group has sold well over a million albums and won two GRAMMY® awards. Chanticleer’s recordings are distributed by Chanticleer Records, Naxos, ArkivMusic, Amazon, and iTunes among others, and are available on Chanticleer’s website: www.chanticleer.org. Chanticleer’s most recent studio recording, Then and there, Here and Now, was released on the occasion of its 40th Anniversary in 2018.
In 2014 Chorus America conferred the inaugural Brazeal Wayne Dennard Award on Chanticleer’s Music Director Emeritus Joseph H. Jennings to acknowledge his contribution to the African-American choral tradition during his 25-year (1983-2009) tenure as a singer and music director with Chanticleer. The hundred plus arrangements of African-American gospel, spirituals and jazz made by Jennings for Chanticleer have been given thousands of performances worldwide—live and on broadcast—and have been recorded by Chanticleer for Warner Classics and Chanticleer Records.
Chanticleer’s long-standing commitment to commissioning and performing new works was honored in 2008 by the inaugural Dale Warland/Chorus America Commissioning Award and the ASCAP/Chorus America Award for Adventurous Programming. Among the over eighty composers commissioned in Chanticleer’s history are Mark Adamo, Matthew Aucoin, Mason Bates, Régis Campo, Chen Yi, David Conte, Shawn Crouch, Douglas J. Cuomo, Brent Michael Davids, Anthony Davis, Gabriela Lena Frank, Guido López-Gavilán, Stacy Garrop, William Hawley, John Harbison, Jake Heggie, Jackson Hill, Kamran Ince, Jeeyoung Kim, Tania León, Jaakko Mäntyjärvi, Michael McGlynn, Peter Michaelides, Nico Muhly, John Musto, Tarik O’Regan, Roxanna Panufnik, Stephen Paulus, Shulamit Ran, Bernard Rands, Steven Sametz, Carlos Sanchez-Gutierrez, Jan Sandström, Paul Schoenfield, Steven Stucky, John Tavener, Augusta Read Thomas, Zhou Tian, Janike Vandervelde.
Named for the “clear-singing” rooster in Geoffrey Chaucer’s Canterbury Tales, Chanticleer was founded in 1978 by tenor Louis A. Botto, who sang in the Ensemble until 1989 and served as Artistic Director until his death in 1997. Chanticleer became known first for its interpretations of Renaissance music, and was later a pioneer in the revival of the South American baroque, recording several award-winning titles in that repertoire. Chanticleer was named Ensemble of the Year by Musical America in 2008, and inducted in the American Classical Music Hall of Fame the same year. William Fred Scott was named Music Director in 2014. A native of Georgia, Scott is the former Assistant Conductor to Robert Shaw at the Atlanta Symphony, former Artistic Director of the Atlanta Opera, an organist and choir director.
Chanticleer—a 501(c)(3) non-profit corporation—is the recipient of major grants from the Ann and Gordon Getty Foundation, The William & Flora Hewlett Foundation, The Dunard Fund/USA, The Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation, The Bernard Osher Foundation, the Osher Pro Suecia Foundation, The Bob Ross Foundation, Grants for the Arts/San Francisco Hotel Tax Fund, and The National Endowment for the Arts. Chanticleer’s activities as a not-for-profit corporation are supported by its administrative staff and Board of Trustees.