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Morris Robinson
From football to opera: The unstoppable Morris Robinson on beating the odds
USA Today
Morris Robinson
Basso Profundo: How a college football standout became an international opera star
Atlanta Magazine
Morris Robinson
From Football To Opera: Singer Morris Robinson Takes Center Stage
Andriana Chuchman, Michael Todd Simpson, Morris Robinson, Francesca Zambello
Review: Show Boat Is Sensational at Washington National Opera
Huffington Post
Marin Alsop, Robert Spano, Daniil Trifonov, Daniel Hope, Gidon Kremer, Brooklyn Rider , Schola Cantorum de Venezuela , Ian Bostridge, Nicholas Phan, Morris Robinson
20 Concerts To Hear This Fall
Morris Robinson
From Spirtuals to Mozart, a Bass Displays His All-Around Game
The New York Times

Morris Robinson is considered one the most interesting and sought after basses performing today.

Mr. Robinson regularly appears at the Metropolitan Opera, where he is a graduate of the Lindemann Young Artist Program. He his debut there in a production of Fidelio and has since appeared as Sarastro in Die Zauberflöte (both in the original production and in the children's English version), Ferrando in Il Trovatore,  the King in Aida, and in roles in NabuccoTannhäuser, and the new productions of Les Troyens and Salome. He has also appeared at the San Francisco Opera, Lyric Opera of Chicago, Dallas Opera, Houston Grand Opera, Boston Lyric Opera,  Pittsburgh Opera, Opera Philadelphia, Seattle Opera, Los Angeles Opera, Cincinnati Opera, Boston Lyric Opera, Opera Theater of St. Louis, Vancouver Opera, Wolf Trap Opera, Opera Australia, and the Aix-en-Provence Festival. His many roles include Sarastro in Die Zauberflöte, Osmin in Die Entführung aus dem Serail, Ramfis in Aida,  Zaccaria in Nabucco, Sparafucile in Rigoletto, Commendatore inDon Giovanni, Grand Inquisitor in Don Carlos, Timur in Turandot, the Bonze in Madama Butterfly, Padre Guardiano in La Forza del Destino, Ferrando in Il Trovatore, and Fasolt in Das Rheingold. 

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