This season, rising star mezzo-soprano Kate Lindsey returns to the Metropolitan Opera as Annio in
Clemenza di Tito and to the Los Angeles Opera as Angelina in
La Centerentola,, appears on tour with the Cercle de l’Harmonie in Europe, and makes her debut at the Glyndebourne Opera Festival as Kompanist in
Ariadne auf Naxos. She has already appeared in many of the world’s prestigious opera houses, including the Metropolitan Opera, Santa Fe Opera, Seattle Opera, Royal Opera House Covent Garden, Bayerische Staatsoper, the Aix-en-Provence, Festival, Lille Opera, and the Théâtre des Champs-Élysées. Her growing repertoire includes Rosina in
Il Barbiere di Siviglia, Cherubino in
Le nozze di Figaro, Zerlina in
Don Giovanni, Idamante in
Idomeneo, Hansel in
Hansel und Gretel, and Nicklausse in
Les Contes d’Hoffmann. She also created the title role in the premiere of Daron Hagen’s
Amelia at the Seattle Opera.
An accomplished concert singer, Ms. Lindsey sang the premiere performances of a new commission by John Harbison with James Levine and the Boston Symphony Orchestra. She has also appeared with the New York Philharmonic, Cleveland Orchestra, St. Louis Symphony Orchestra, Met Chamber Orchestra (in Carnegie Hall), and at the Tanglewood and Mostly Mozart festivals, and has worked with many of the world’s most distinguished conductors including Emmanuelle Haim, James Levine, Lorin Maazel, David Robertson, and Franz Welser-Möst In recital, she has been presented by the Metropolitan Museum of Art and Rockefeller University in New York City. ...
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This season, rising star mezzo-soprano Kate Lindsey returns to the Metropolitan Opera as Annio in
Clemenza di Tito and to the Los Angeles Opera as Angelina in
La Centerentola,, appears on tour with the Cercle de l’Harmonie in Europe, and makes her debut at the Glyndebourne Opera Festival as Kompanist in
Ariadne auf Naxos. She has already appeared in many of the world’s prestigious opera houses, including the Metropolitan Opera, Santa Fe Opera, Seattle Opera, Royal Opera House Covent Garden, Bayerische Staatsoper, the Aix-en-Provence, Festival, Lille Opera, and the Théâtre des Champs-Élysées. Her growing repertoire includes Rosina in
Il Barbiere di Siviglia, Cherubino in
Le nozze di Figaro, Zerlina in
Don Giovanni, Idamante in
Idomeneo, Hansel in
Hansel und Gretel, and Nicklausse in
Les Contes d’Hoffmann. She also created the title role in the premiere of Daron Hagen’s
Amelia at the Seattle Opera.
An accomplished concert singer, Ms. Lindsey sang the premiere performances of a new commission by John Harbison with James Levine and the Boston Symphony Orchestra. She has also appeared with the New York Philharmonic, Cleveland Orchestra, St. Louis Symphony Orchestra, Met Chamber Orchestra (in Carnegie Hall), and at the Tanglewood and Mostly Mozart festivals, and has worked with many of the world’s most distinguished conductors including Emmanuelle Haim, James Levine, Lorin Maazel, David Robertson, and Franz Welser-Möst In recital, she has been presented by the Metropolitan Museum of Art and Rockefeller University in New York City.
Ms. Lindsey recently starred in the Metropolitan Opera’s HD broadcast of its new production of
Les Contes d’Hoffmann. She was also featured in its broadcast of
The Magic Flute which was subsequently released on DVD.
A native of Richmond, Virginia, Ms. Lindsey holds a Bachelor of Music Degree with Distinction from Indiana University and is a graduate of the Metropolitan Opera's Lindemann Young Artist Development Program. Her many awards include a prestigious 2011 grant from the Festival Musique et Vin au Clos Vougeot the 2007 Richard F. Gold Career Grant, the 2007 George London Award in memory of Lloyd Rigler, the 2007 Lincoln Center Martin E. Segal Award, and a 2006 Sullivan Foundation Grant.
Last updated September 2012. Contact Opus 3 Artists for the most up-to-date version.