The adventurous, genre-defying string quartet Brooklyn Rider combines a wildly eclectic repertoire with a gripping performance style that is attracting legions of fans and drawing critical acclaim from classical, world and rock critics. NPR credits Brooklyn Rider with “recreating the 300-year-old form of string quartet as a vital and creative 21st-century ensemble.” The musicians play in concert halls and clubs, in venues as varied as Joe’s Pub in New York City, the San Francisco Jazz Festival, Todai-ji Temple in Japan, the Library of Congress and the South By Southwest Festival. Through creative programming and global collaborations, Brooklyn Rider illuminates music for its audiences in ways that are “stunningly imaginative” (Lucid Culture).
This past season Brooklyn Rider appeared at the Cologne Philharmonie, American Academy in Rome, Malmö Festival in Sweden, and SXSW Festival as the only classical group invited to play there. The quartet made its Spoleto Festival USA debut to capacity crowds in June, following an extensive cross-country tour from California to Philadelphia’s Kimmel Center and New York City. “The dazzling fingers-in-every-pie versatility that Brooklyn Rider exhibits is one of the wonders of contemporary music,” wrote the Los Angeles Times. Brooklyn Rider’s newest CD, Dominant Curve was featured on NPR, the Billboard classical chart, and has received positive reviews from the classical music cognoscenti to the online indie magazine Pitchfork ... read full bio
Johnny Gandelsman, violin
Colin Jacobsen, violin
Nicholas Cords, viola
Eric Jacobsen, cello
The adventurous, genre-defying string quartet Brooklyn Rider combines a wildly eclectic repertoire with a gripping performance style that is attracting legions of fans and drawing critical acclaim from classical, world and rock critics. NPR credits Brooklyn Rider with “recreating the 300-year-old form of string quartet as a vital and creative 21st-century ensemble.” The musicians play in concert halls and clubs, in venues as varied as Joe’s Pub in New York City, the San Francisco Jazz Festival, Todai-ji Temple in Japan, the Library of Congress and the South By Southwest Festival. Through creative programming and global collaborations, Brooklyn Rider illuminates music for its audiences in ways that are “stunningly imaginative” (Lucid Culture).
This past season Brooklyn Rider appeared at the Cologne Philharmonie, American Academy in Rome, Malmö Festival in Sweden, and SXSW Festival as the only classical group invited to play there. The quartet made its Spoleto Festival USA debut to capacity crowds in June, following an extensive cross-country tour from California to Philadelphia’s Kimmel Center and New York City. “The dazzling fingers-in-every-pie versatility that Brooklyn Rider exhibits is one of the wonders of contemporary music,” wrote the Los Angeles Times. Brooklyn Rider’s newest CD, Dominant Curve was featured on NPR, the Billboard classical chart, and has received positive reviews from the classical music cognoscenti to the online indie magazine Pitchfork.
Highlights of Brooklyn Rider’s 2010-11 season include the CD release of the complete string quartets of Philip Glass, an appearance at the U.S. Open Tennis Tournament, a European tour with Persian kamancheh virtuoso Kayhan Kalhor, and North American tours in the fall and winter, including concerts with the Washington Performing Arts Society in D.C. and a major New York City venue, to be announced.
Born out of a desire to use the rich medium of the string quartet as a vehicle for communication across a large cross section of history and geography, Brooklyn Rider is equally devoted to the interpretation of existing quartet literature and to the creation of new works. The musicians have worked with such composers as Derek Bermel, Lisa Bielawa, Ljova, Philip Glass, Osvaldo Golijov, Jenny Scheinman and Dimitry Yanov-Yanovsky, and they also regularly perform pieces written or arranged by members of the group. Another integral part of their work involves creative collaborations with other artists. Some recent special guests include Chinese pipa virtuoso Wu Man, Syrian/Armenian visual artist Kevork Mourad, traditional and technology-based Japanese shakuhachi player Kojiro Umezaki, Irish fiddle player Martin Hayes, the trio 2 Foot Yard, and singer/songwriters Christina Courtin and Suzanne Vega. Courtin’s widely released debut album on the Nonesuch label features several tracks with the quartet, as does Vega’s upcoming album. A long-standing relationship between Brooklyn Rider and Kayhan Kalhor resulted in the critically acclaimed 2008 recording, Silent City, on the World Village/Harmonia Mundi label, selected by Rhapsody.com as one of World Music’s Best Albums of the Decade.
Brooklyn Rider often appears under the umbrella of outside initiatives begun by all four members of the group. Brothers Colin and Eric Jacobsen are co-founders of The Knights, a chamber orchestra based in New York in which all the members of Brooklyn Rider play. The Knights recently performed at the Ravinia Festival in Chicago, and opened the 2009 Dresden Musikfestspiele. They have two albums on the Sony Classical label, as well as an all Mozart disc with cellist Lara St. John on her own label, released this summer.
In 2003 violinist Johnny Gandelsman created In A Circle, a series of performance events in Lower Manhattan and Brooklyn that explore connections between music and the visual arts. In A Circle Records was launched by Gandelsman in 2008 with the release of Brooklyn Rider's eclectic debut recording entitled Passport, followed by Dominant Curve in 2010. The quartet also founded the Stillwater Music Festival (MN) in 2006 as a place to unveil new repertoire and collaborations. As educators, the quartet has been in residency at Williams College, MacPhail Center for the Arts, Dartmouth College, Texas A&M University, and Denison University.
Much of Brooklyn Rider's desire to extend the borders of conventional string quartet programming has come from their longstanding participation in Yo-Yo Ma's Silk Road Ensemble. As individual members of the ensemble, they have performed throughout the world, recorded three albums for Sony Classical, and taken part in educational initiatives, family concerts and media broadcasts. Members of Brooklyn Rider have been involved in a series of museum residencies initiated by the Silk Road Project at the Rubin Museum of Himalayan Art and the American Museum of Natural History in New York City, the Art Institute of Chicago, the Museum Reitberg in Zurich, and the Nara National Museum in Japan. They have also participated extensively in Silk Road Ensemble residencies at Harvard University and the Rhode Island School of Design.
A public radio favorite, Brooklyn Rider has been featured recently on NPR’s Tiny Desk Concerts, All Songs Considered and All Things Considered, WNYC's Soundcheck, and American Public Media’s Performance Today, and NY1 News TV in New York City. Their recordings are played across North America on stations ranging in focus from classical to world, jazz, pop and new music.
The quartet's name is inspired in part by the cross disciplinary vision of Der Blau Reiter (The Blue Rider), a pre World War I Munich-based artistic collective whose members included Vassily Kandinsky, Franz Marc, Arnold Schoenberg and Alexander Scriabin. In this spirit, Brooklyn Rider has created an online art gallery at www.brooklynrider.com that showcases the work of some of the quartet’s friends. Proceeds are used to support new commissioning projects. In the eclectic spirit of Der Blau Reiter, the quartet also draws inspiration from the exploding array of cultures and artistic energy found in the borough of Brooklyn in New York City, a place they call home.
Last updated August 2010. Contact Opus 3 Artists for the most up-to-date version.
