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“It’s a rare sort of pianist who can shed new light on a well-known masterpiece, while keeping all its familiar glories perfectly intact. Pavel Kolesnikov is one of them.”

The Telegraph, January 2020

“Kolesnikov came out and declared what kind of pianist he is: entirely, confidently, eloquently himself… His Bach was boldly argued – the kind of performance that invites disagreement but is defended so persuasively, even detractors can’t help but appreciate it.”

The New York Times, May 2023

“…unpredictable magic… one of the most extraordinary long term crescendos I’ve ever heard in a piano recital; Kolesnikov’s technique gives him total mastery and control over the extremes of loud and soft, always put to expressive ends.”

The Arts Desk, September 2024

“Buoyant, velvety, ravishing: this Russian pianist’s sound is a thing of magic.”

The Times, August 2021

“Kolesnikov’s playing combines great emotional intelligence with understated virtuosity: every shift in sonority and mood speaks volumes in interpretations that are consistently striking… A truly outstanding recital, every second of it.”

The Guardian, January 2020

“You need a whole new thesaurus of superlatives, as words like “stupendous” and “incredible” fall far short… I’d also call him a magician, a musical merlin whose performances rivalled and maybe eclipsed anything I’ve seen in Perth over the years.”

The Courier, November 2021

“…conductor and soloist achieved a persuasive integrity… [Kolesnikov] proceeded to deliver a perfectly calibrated performance, virtuosity always placed at the service of the music.”

Bachtrack, January 2024

“A simply superb recital… with a very healthy queue for returns.”

Seen and Heard International, January 2020

A BOZAR Portrait Artist for 2026/27, pianist Pavel Kolesnikov is among the boldest of the young Russian and Eastern European artists who have made their marks on London’s vibrant piano scene. His Brussels residency includes solo, chamber and multimedia projects across the season, as well as a concerto with the Belgian National Orchestra. Elsewhere, Pavel performs with the City of Birmingham Symphony, Bergen Philharmonic, BBC Philharmonic, The Hallé, Orquestra de la Comunitat Valenciana and Adelaide Symphony, collaborating with Sir Mark Elder, David Danzmayr and Ludovic Morlot. He also gives solo recitals at London’s Southbank Centre and Wigmore Hall, Amsterdam’s Muziekgebouw and at Musikfestspiele Potsdam.

Highlights of the previous three seasons include concertos with the London Symphony Orchestra, Danish National Symphony, London Philharmonic Orchestra, Yomiuri Nippon Symphony, Cincinnati Symphony, Philharmonia Orchestra, Atlanta Symphony and Netherlands Philharmonic, alongside Susanna Mälkki, Nathalie Stutzmann, Manfred Honeck, Sir Edward Gardner, Alpesh Chauhan, Adam Hickox, Alexander Bloch and Vasily Petrenko. He also gave recitals at Atlanta’s Spivey Hall, New York’s 92NY, Klavier-Festival Ruhr and the Severance Music Center as part of the Cleveland Orchestra’s Piano Series.

Pavel is known for his curatorial approach and work across genres. His realization of Bach’s Goldberg Variations with dancer Anne Teresa de Keersmaeker has been staged over fifty times across Europe, while his residency at the 2023 Aldeburgh Festival saw collaborations with architect Sophie Hicks and playwright Martin Crimp. In 2025 David Hockney invited Pavel, along with his partner and fellow pianist Samson Tsoy, to curate a series of concerts inspired by the artist’s life and work at the Fondation Louis Vuitton. He records for harmonia mundi.

2026-2027