- American conductor Joshua Weilerstein is appointed the new Artistic Director of the Orchestre de Chambre de Lausanne.
- William Fred Scott named fifth music director of the San Francisco based Grammy award winning vocal ensemble Chanticleer
- Denis Kozhukhin makes sharp solo piano debut for Friends of Chamber Music
Miami Herald / South Florida Classical Review
- The Met's Vivid 'Lady Macbeth of Mtsensk' Heralds Sweeping Changes for the Opera World
New York Observer
Daniel Hope, Alisa Weilerstein, Voces8
- Classic FM's Albums of the Year 2014
- Cash emphasizes new songs at Sanders Theater
The Boston Globe
- Wachner, Washington Chorus give powerful performance of ungainly ‘Missa Solemnis’
The Washington Post
- Extraordinary weekend of intrigue and majestic music
The Herald Scotland
- You Seem Sad, Janacek. Cheer Me Up, Schubert: Jeremy Denk Knits a Dialogue in His 92nd Street Y Recital
The New York Times
- 'Carmelites' packs emotional wallop
How Theater Failed America (review)
Time Out New York
A portly, blustering performing with a featherweight voice, Daisey is a working man's Spalding Gray: boyish passion meshed with refined contemplation. The most satisfying moments in the show are his recollections of the days when he did theater on the cheap. He reminisces about a summer of rats and ramen noodles when he launched a reperatory company with a college pal at a Maine Elks Lodge; recalls how directing 60 misfit high-school students in a commedia dell'arte performance pulled him out of a suicidal stupor; and revisits the unnerving time he masturbated onstage in Seattle.
In Daisey's rants, the fun comes as much from the presentation as from the point, even when he's mapping familiar territory about overworked directors and underrehearsed plays or describing how he and his director wife, Jean-Michele Gregory, are the "carrion birds of the American theater," because their low-budget solo shows frequently replace more costly productions. One artistic director dubbed Daisey's harangue "How Theater Became America"; appropriately in an important election year, it is not only vastly entertaining, it's also a call to action.