- Denis Kozhukhin Impresses in Prokofiev’s ‘War Sonatas’
Seen and Heard International
- KUOK-WAI LIO RECEIVES AVERY FISHER CAREER GRANT
Avery Fisher Artist Program
- JAMES CONLON OPENS THE 2013 FESTIVAL DE SAINT-DENIS CONDUCTING TWO CONCERTS OF BERLIOZ’S L’ENFANCE DU CHRIST IN HONOR OF SIR COLIN DAVIS WHO WAS SCHEDULED TO CONDUCT THE WORK
Shuman Associates Inc
- Review: Powerful reading of Mozart Requiem opens May Fest
- Review: May Festival reaches heavenly heights with 'War Requiem'
- Pianist Shai Wosner finds Schubert’s dark side
The Washington Post
Jon Kimura Parker
- Jon Kimura Parker Takes on Mussorgsky, Rachmaninoff, Prokofiev & Stravinsky
- OPUS 3 ARTISTS SIGNS ALEXANDRE THARAUD
Sir Andrew Davis
- Review: Philharmonia Orchestra, St David’s Hall, Cardiff
Sir Andrew Davis
- Philharmonia Orchestra, St David's Hall
South Wales Argus
How Theater Failed America (review)
Time Out New York
A portly, blustering performing with a featherweight voice, Daisey is a working man's Spalding Gray: boyish passion meshed with refined contemplation. The most satisfying moments in the show are his recollections of the days when he did theater on the cheap. He reminisces about a summer of rats and ramen noodles when he launched a reperatory company with a college pal at a Maine Elks Lodge; recalls how directing 60 misfit high-school students in a commedia dell'arte performance pulled him out of a suicidal stupor; and revisits the unnerving time he masturbated onstage in Seattle.
In Daisey's rants, the fun comes as much from the presentation as from the point, even when he's mapping familiar territory about overworked directors and underrehearsed plays or describing how he and his director wife, Jean-Michele Gregory, are the "carrion birds of the American theater," because their low-budget solo shows frequently replace more costly productions. One artistic director dubbed Daisey's harangue "How Theater Became America"; appropriately in an important election year, it is not only vastly entertaining, it's also a call to action.