Recent News
12.12.18
Keith Lockhart
KEITH LOCKHART JOINS THE ROSTER
12.10.18
Vienna Boys Choir
Classical Album of the Week: Vienna Boys Choir Sings Strauss
WRTI
12.07.18
JoAnn Falletta, Mariss Jansons, David Alan Miller, Peter Oundjian, Patrick Summers, Alexandre Tharaud, Magos Herrera & Brooklyn Rider , Mason Bates, Symphonieorchester des Bayerischen Rundfunks, Munich , Academy of St Martin in the Fields , Les Violons du Roy , Anthony Roth Costanzo, Nathan Gunn
2019 Grammy Nominees
Grammy Awards
12.07.18
New York Philharmonic String Quartet , Yefim Bronfman
Bronfman, NY Philharmonic Quartet impress at Linton Series
Cincinnati Business Courier
12.06.18
Aaron Diehl
Pianist Diehl in jazz trio plays varied concert in Palm Beach
Palm Beach Daily News
12.06.18
Julian Wachner
This Is the Best ‘Messiah’ in New York
The New York Times
12.04.18
Sir Andrew Davis
ELGAR The Music Makers. The Spirit of England (Davis)
Gramophone
12.03.18
Chanticleer
Chanticleer Christmas concert, 11/30/18
Divamensch
12.01.18
Ward Stare
Twin pianists deliver impeccable style in ‘Perfect Pairs’ concert
Sarasota Herald Tribune
11.27.18
Richard Kaufman
PHANTOM OF THE OPERA HAUNTS THE SOROYA IN REAL TIME
Broadway World

News archive »

Review: Flutist Emmanuel Pahud blows away Abravanel Hall crowd

09.21.13
Emmanuel Pahud
Salt Lake Tribune

By Catherine Reese Newton

World-class flutist shows stunning artistry in three diverse works.

How did the Utah Symphony follow up last weekend’s opening gala featuring three world-class soloists? By inviting one world-class soloist to play three diverse works.

Emmanuel Pahud, who was named principal flutist in the Berlin Philharmonic at the astonishing age of 22 (he’s now 43), is arguably the top flutist in the world right now. In fact, it’s difficult to argue with Utah Symphony music director Thierry Fischer’s billing of him as the top soloist on any instrument. Pahud possesses not only a phenomenal technique, but an equally phenomenal musicality.

The flutist began with Elliott Carter’s Flute Concerto, which Pahud himself premiered. Like most of Carter’s work, it’s a bit thorny, but don’t be afraid — it comes off much better live than in recording. Fischer and the orchestra provided sensitive accompaniment to Pahud’s artistry. Next came the flutist’s arrangement of Lenski’s aria from Tchaikovsky’s “Eugene Onegin” in a performance of breathtaking beauty. Pahud returned after intermission to play Mozart’s Flute Concerto No. 2. The impeccably phrased performance was highlighted by a playful cadenza in which the soloist seemed to tantalize the audience, fittingly enough, with snippets from Mozart’s “The Magic Flute.”

As if that weren’t enough, a rousing ovation brought Pahud back to the stage — carrying two flutes. He and Fischer, who enjoyed success as a flutist before turning to conducting, gave a delightful performance of the “Dance of the Blessed Spirits” from Gluck’s “Orpheus and Eurydice.”

Fischer sandwiched Pahud’s appearance between two orchestral showpieces: a dramatic performance of Tchaikovsky’s ever-popular “1812” Overture and a richly colored rendition of Richard Strauss’ “Der Rosenkavalier” Suite that made the listener hope that the conductor will appear in the Utah Opera pit sometime soon.