- Bridging the Gap
Vienna Boys Choir
- VIENNA BOYS CHOIR PERFORMS CHRISTMAS IN VIENNA AT CARNEGIE HALL
Tickets and Information
- The Dallas Opera Announces Contract Extension to 2022 with Emmanuel Villaume
- Elliptical salute to Mario Bernardi - Johannes Debus Review
- Review: RPO and teenage soloist show passion, range
Democrat and Chronicle
Jeremy Denk, Stefan Jackiw
- Violinist Stefan Jackiw and pianist Jeremy Denk make fast work of difficult scores
Portland Press Herald
- Ma and Stott embrace adventure at Symphony Hall
- Minnesota Orchestra presents the impassioned 'Neruda Songs'
- Minnesota Orchestra review: Songs celebrate love, prepare for separation
The TEN Tenors
- The Ten Tenors Beat You Am I To #1 On Australian Independent Music Charts
The Music (Australia)
Toronto Symphony serves up blazing birthday cake to Samuel Barber
Jon Kimura Parker, Gil Shaham
By John Terauds
The Toronto Symphony Orchestra’s 100th birthday cake for composer Samuel Barber was a blaze of candles on Wednesday night at Roy Thomson Hall.
The evening, entirely devoted to the music of this American master, was a succession of Wow! moments from an intensely atmospheric beginning to a blazing end.
Superbly led by music director Peter Oundjian, this was our city’s flagship orchestra at its very best. It served up impeccably rendered interpretations of a representative sample of Barber’s work, spanning his early days as a composer in the 1930s, to the pinnacle of his success and popularity in the early 1960s. (He died in 1981, following a long creative dry spell.)
The concert began with an intensely luminous reading of Barber’s most famous piece: the Adagio for Strings, which he adapted out of the slow movement of his nearly forgotten String Quartet in 1935. This is one of those chestnuts that’s been played and heard so many times that its contours are often too slick and worn. Oundjian’s supremely focused direction gave it a shape so clear, that it felt like one could reach out and touch it.
The music sounded as fresh as if the ink were barely dry on each musician’s score.
The orchestra and its conductor were equally impressive in the Symphony No. 1, created a year later. Oundjian introduced it to the audience as a masterpiece, then proceeded to show us exactly why this is so. It is an architectural wonder clad in strands of gorgeously wrought melody.
The two concertos were equally captivating, thanks to magnetic performances from the two soloists. Parker tossed off the fierce piano part with panache and a big dollop of lyrical aplomb. Shaham used his bow as a light sabre, casting intense beams of sunshine on this already-luminous showpiece.
Simply put, neither a birthday celebration nor a concert could possibly get any better than this uplifting, energizing night at the symphony. Missing these performances is your loss.
Wednesday night’s concert was recorded by CBC Radio 2 for future broadcast. Oundjian and the TSO reprise the Symphony and the Adagio on Saturday night, in a program that also includes George Gershwin’s Rhapsody in Blue, played by Parker.