12.18.20

Best of 2020

12.11.20

Mezzo-soprano Daniela Mack Joins the Roster

12.11.20

Baritone Edward Nelson Joins the Roster

12.11.20

Grand Teton Music Festival Extends Contract of Music…

12.10.20

Cristina Pato Receives the Foundation Carasso Committed Artist…

12.04.20

Conductor Lidiya Yankovskaya Joins the Roster

12.03.20

A Handel Master on Building the Perfect ‘Messiah’

11.25.20

2021 Grammy Nominees Announced

11.22.20

Arthur Woodley 1949-2020

11.21.20

Marek Janowski Releases “Il Tabarro” with Brian Jagde…

11.20.20

Yo-Yo Ma and the Meaning of Life

11.17.20

James Conlon Named Artistic Advisor to the Baltimore…

11.13.20

Jennifer Koh’s Bach & Beyond Part 3 is…

11.06.20

Daniil Trifonov’s “Silver Age” is out now

11.05.20

After a Decade of Silence, a Composer Reappears

11.04.20

Can music bring us unity? How Osvaldo Golijov’s…

11.03.20

Shai Wosner Named 2020-23 Resident Artist of Peoples’…

11.02.20

Sir Donald Runnicles’ contract with the Deutsche Oper…

10.21.20

Marin Alsop Appointed First-Ever Music Director of the…

10.20.20

Opus 3 Artists & San Francisco Conservatory of…

10.13.20

Sir Donald Runnicles Knighted in the Queen’s Birthday…

10.09.20

Silkroad Ensemble’s Recording of Osvaldo Golijov’s Falling Out…

10.06.20

Voctave’s “The Corner of Broadway and Main Street…

10.01.20

James Darrah named creative director of digital content…

09.25.20

Oliver Herbert on “Now Hear This: The Schubert…

09.22.20

Yo-Yo Ma Named One of Time Magazine’s 100…

09.17.20

New York Polyphony Innovates with Aleph Earth

09.01.20

New York Polyphony and Kate Lindsey Recordings Among…

08.25.20

Opus 3 Artists Berlin Appoints New Managing Director:…

08.17.20

Review: Sir Andrew Davis Conducts Massenet’s “Thaïs” with…

08.09.20

Yefim Bronfman to play an in-person, stadium concert…

08.07.20

Sergei Babayan Releases his First Solo Album on…

07.31.20

Singing Returns! VOCES8 Launches ‘Live From London’

07.28.20

Review: Weilerstein, Barnatan find the thread in Beethoven

07.27.20

Aaron Diehl, Wu Man, and more to join…

07.23.20

Stefan Jackiw Announces Launch of New Masterclass ‘Academy’…

07.23.20

Yo-Yo Ma Discusses Music, Growth and Comfort for…

07.19.20

Joshua Roman announced as artist-in-residence for the Las…

07.08.20

Not Our First Goat Rodeo is out now

06.18.20

For Classical Music, Spring Was the Season of…

06.12.20

Aquila Theatre Joins the Roster, Will Tour in…

05.29.20

The Silkroad Ensemble with Yo-Yo Ma Release Exclusive…

05.22.20

Sharon Isbin Releases “Strings for Peace” with Amjad…

05.19.20

The Knights Announced as 92 St Y Ensemble-In-Residence

05.19.20

Yo-Yo Ma will play Bach Six Suites for…

05.18.20

Pipa Virtuoso Wu Man Joins the Roster

05.16.20

Andrew von Oeyen’s “Quarantine Concert on a Bluff”

05.12.20

Oliver Herbert Releases Debut Album – “Frame of…

05.11.20

Mason Bates Explains the Why and How of…

05.08.20

Cho-Liang Lin’s “Three American Sonatas” is out now

05.01.20

Inon Barnatan and Academy of St Martin in…

05.01.20

Dudok Quartet Amsterdam’s “Haydn String Quartets Opus 20…

05.01.20

Anne-Marie McDermott Named Artistic Director Designate of Santa…

04.27.20

Aaron Diehl Livestream co-presented by Chamber Music Society…

04.27.20

Joshua Roman Commissioned by the ProtoStar Group to…

04.27.20

Mason Bates launches “Curating the Concert Experience” for…

04.26.20

Great Performances on PBS Premieres Bernstein’s “Mass” with…

04.21.20

Inon Barnatan to Appear in Free Streamed Concert…

04.18.20

Alisa Weilerstein’s “Bach Cello Suites” is out now

04.10.20

Chanticleer Names Sixth Music Director: Tim Keeler Assumes…

04.06.20

Karina Canellakis To Become Principal Guest Conductor of…

04.04.20

Jennifer Koh Launches “Alone Together”

04.01.20

Abrams’ Louisville Artists Network Emerges From Coronavirus Isolation

03.27.20

Brooklyn Rider’s “Healing Modes” is out now

03.18.20

Review: Florent Schmitt’s “Legende” and “Oriane et Le…

03.18.20

Karim Sulayman’s “Where Only Stars Can Hear Us”…

03.16.20

Connecting Online

03.09.20

Review: Soloists, Runnicles and BBC SO prove Missa…

03.08.20

Edward Nelson Wins Glyndebourne Opera Cup 2020

03.07.20

Review: Columbus Symphony, cellist shine in works inspired…

03.07.20

Review: Joffrey Ballet dancers defy gravity at Zellerbach…

03.06.20

Aaron Diehl’s “The Vagabond” is out now on…

03.06.20

Acclaim for Andrew von Oeyen with the Atlanta…

03.05.20

Review: Daniil Trifonov takes on a rite of…

03.03.20

Critical Acclaim for Academy of St Martin in…

03.03.20

Harpist Bridget Kibbey Joins the Roster

03.01.20

Giancarlo Guerrero & Johannes Moser Triumph in an…

02.27.20

Review: Sheléa dazzles on Four Arts stage with…

02.26.20

Alexi Kenney Receives Borletti-Buitoni Trust Award

02.25.20

Garrick Ohlsson’s Australia Tour Acclaim

02.23.20

Review: Sarasota Orchestra plays ‘Sounds of Nobility’ concert…

02.21.20

Review: European stars bring talents to San Antonio…

02.20.20

Review: Grand Tourists, BSO, Lighthouse, Poole

02.20.20

yMusic’s “Ecstatic Science” is Out Now

02.10.20

Review: Commentary: Bach’s ‘Art of the Fugue’ now…

02.09.20

Acclaim for Jonathan Biss with the Curtis Symphony…

02.09.20

Review: A Violinist Connects the Dots From Bach…

02.07.20

Review: A dance through time in “More Forever”

02.07.20

Review: Karina Canellakis Debuts with Philadelphia and Atlanta

02.05.20

Marin Alsop Is Appointed First Chief Conductor and…

02.05.20

Review: The tragic beauty of Alvin Ailey’s politically…

02.04.20

Alvin Ailey American Dance Theater’s North American Tour…

02.03.20

Review: Jackiw and Slatkin triumph with Beethoven in…

02.03.20

Review: Trio’s all-Beethoven program a masterly offering of…

02.01.20

Review: De Waart, Moser, Milwaukee Symphony Orchestra bring…

01.31.20

John Fiore to Conduct Opening Night of ‘Parsifal’…

01.30.20

Interview: Exploring the Process of Music with Joshua…

01.30.20

Review: Beethoven 250, the BSO, Lighthouse, Poole

01.29.20

Review: His refined musicality is second to none…

01.28.20

Tenor Karim Sulayman Joins the Roster

01.27.20

Ward Stare Recording Wins Grammy Award

01.27.20

Review: Apollo’s Fire delivers fun, frolicking Appalachian Gathering…

01.25.20

Review: PCMS ‘Emerging Voices’ ends with a big…

01.22.20

String Quartet Meta4 Joins the Roster

01.22.20

Jader Bignamini Named Music Director of the Detroit…

01.21.20

Review: Chicago Sinfonietta: In ‘Seven Last Words of…

01.21.20

Critical Acclaim for Dudok Quartet Amsterdam at the…

01.14.20

Review: Symphony presents violinist Chee-Yun and masterwork by…

01.11.20

Review: Kuné performance delivers welcome message of inclusivity

01.08.20

yMusic Joins the Roster

01.06.20

Review: New York Phil Quartet, Kalichstein compelling partners…

01.06.20

WQXR Presents “20 For 20”: Artists To Watch…

01.01.20

Review: ‘A Jazz New Year’s Eve’ brought Branford…

12.20.19

Best of 2019

12.17.19

Giancarlo Guerrero brings the NFM Wrocław Philharmonic to…

12.13.19

Acclaim for Mason Bates’ “Resurrexit” in Chicago

12.11.19

Heartbeat Opera’s new production of Der Freischütz “delivers…

12.07.19

Review: Falletta plays with senses leading Sarasota Orchestra’s…

12.02.19

Review: Verdi’s sacred masterpiece brought stunningly to life

12.02.19

The Dudok Quartet Amsterdam Release “Haydn: String Quartets,…

12.01.19

Review: James Conlon’s CSO return is gratifying in…

11.30.19

New York Polyphony Releases “Lamentationes” Featuring Lost Works…

11.30.19

Review: Both riotously funny and achingly true, Apocalypse…

11.29.19

Tovey Centre for Music launches December 2

11.26.19

Thomas Allen and Anthony Roth Costanzo Among the…

11.25.19

Review: Stefan Jackiw and Benjamin Zander return to…

11.25.19

Review: Marcelo Lehninger and the SLSO show their…

11.25.19

Tenor Alek Shrader Joins The Roster

11.21.19

Drew Petersen’s Fall Performances Met With Acclaim From…

11.20.19

‘Philharmonia Fantastique’: Mason Bates’s New Concerto Has Animated…

11.20.19

Colin Currie Premieres Andy Akiho’s Percussion Concerto with…

11.20.19

Acclaim for Asher Fisch’s recording of Tristan und…

11.20.19

2020 Grammy Nominees Announced, Opus 3 Nominees Include…

11.15.19

Conrad Tao Was Never Just Another Prodigy

11.11.19

Review: Apocalypse Meow: Crisis Is Born

11.08.19

Review: Ward Stare leads the Rochester Philharmonic Orchestra…

11.08.19

Under The Streetlamp Joins the Roster

10.29.19

Review: Karina Canellakis’ San Francisco Symphony Debut

10.27.19

Conrad Tao releases “American Rage” on Warner Classics

10.25.19

Now Playing: “Playing With Fire: Jeannette Sorrell and…

10.23.19

Critical Acclaim for Marek Janowski’s Fall 2019 US…

10.22.19

Marin Alsop Launches Tenure as First Female Chief…

10.22.19

Teddy Abrams “The Order of Nature” with Jim…

10.21.19

Guitar Sensation Miloš Joins the Roster

10.20.19

Review: Joshua Roman with the Spokane Symphony

10.18.19

New Music Friday: Fresh Releases from Teddy Abrams,…

10.16.19

Review: Russian Romantic Piano Trio Bonanza “this trio…

10.15.19

Interview: Jeremy Denk on bringing Vergil to Netflix,…

10.15.19

Sharon Isbin Receives the 2020 Musical America “Instrumentalist…

10.15.19

Review: Meow Meow with Pink Martini

10.14.19

Conrad Tao and Caleb Teicher’s “More Forever” Wins…

10.11.19

Review: Inon Barnatan Plays Brahms Piano Concerto with…

10.01.19

Silkroad Ensemble To Premiere Osvaldo Golijov’s “Falling Out…

10.01.19

Inon Barnatan Makes His Pentatone Label Debut with…

09.30.19

Marek Janowski to Release Weber – Der Freischütz…

09.29.19

Review: Branford Marsalis brings lyricism, dexterity to Orlando…

09.29.19

Review: Thrilling ‘Discover Beethoven’ concert launches Sarasota Orchestra…

09.28.19

Review: A Toronto Symphony Strauss to stir the…

09.27.19

Cellist Oliver Herbert Triumphs in his SF Symphony…

09.27.19

Cristina Pato to Serve as 2019-2020 King Juan…

09.25.19

Review: In ‘Manon,’ a Soprano Charms Her Way…

09.21.19

Review: ‘Resurrection’ resurrected

09.19.19

David Robertson’s 2019-2020 Season Highlights

09.18.19

Philharmonix: “We Try to Create On the Spot”

09.17.19

Ailey II Launches 2019 Tour Featuring New Works…

09.06.19

Nelson Freire to Release ‘Encores’ to Celebrate His…

09.04.19

Anthony Roth Costanzo Wins Clio Award

08.27.19

Conrad Tao’s “sharp and dramatic” Summer Festival Reviews

08.23.19

Sharon Isbin Releases New Album with the Pacifica…

08.23.19

Rambling About Tanglewood: Beethoven by way of Nashville

08.22.19

Review: Felix & Fanny Mendelssohn: Works for Cello…

08.20.19

It Was ‘Cool Central’: Bill T. Jones Leads…

08.12.19

Leonidas Kavakos and Inon Barnatan Bring the Thrills…

08.09.19

Brooklyn Rider and Martin Hayes Release “The Butterfly”

08.08.19

Baroque Orchestra Apollo’s Fire Joins the Opus 3…

08.08.19

Kayhan Kalhor to Receive the 2019 WOMEX Artist…

08.06.19

Renée Fleming and Patrick Summers To Lead New…

08.05.19

Piano Duo Christina & Michelle Naughton Join the…

08.01.19

Alvin Ailey American Dance Theater Announces Programming for…

07.28.19

Critical Acclaim for Heartbeat Opera

07.17.19

Review: Alexi Kenney (violin) Orion Weiss (piano)

07.16.19

Dudok Quartet Amsterdam Joins the Roster

06.04.19

The Chieftains Announce “The Irish Goodbye” Tour

05.17.19

How Does Pianist/Composer Conrad Tao Juggle It All?

05.14.19

Recent Critical Acclaim for Meow Meow

05.09.19

Les Violons du Roy and La Chapelle de…

04.26.19

Andreas Schager’s Metropolitan Opera Debut

04.12.19

Review: Cristina Pato Quartet at the Chan Centre

02.14.19

QUINCY JONES PRESENTS: SHELÉA Premieres March 2019 on…

01.08.19

Ocean Maestro: Rupert Gregson-Williams Discusses Aquaman…

01.07.19

WQXR Presents “19 for 19”: Artists to Watch…

01.01.19

Best of 2018

10.04.18

David Robertson’s 2018-2019 Highlights

08.30.18

Alisa Weilerstein releases Transfigured Night on Pentatone

01.29.18

Giancarlo Guerrero and the Nashville Symphony Celebrate a…

07.27.17

Ruth Reinhardt Named a LA Philharmonic Dudamel Fellow…

06.05.17

‘Wonder Woman’ Composer on the Scene He Rewrote…

12.04.16

A Conversation with Baritone Edward Nelson

04.21.16

Bruce Broughton evokes the sound of classic Westerns…