- National Philharmonic and guest soloist Haochen Zhang enchant
Les Violons du Roy
- Review: Les Violons du Roy
Santa Fe New Mexican
Nadja Salerno-Sonnenberg, Philadelphia Orchestra
- Orchestra, soloist show us why we go
- 'Basetrack Live' moving, disturbing theater
Stewart Copeland & Jon Kimura Parker & Co
- Stewart Copeland will tackle chamber music at Clowes
- Johannes Moser Signs as Exclusive PENTATONE Recording Artist
- Schubert and Schnittke, a Chamber Music Society of Lincoln Center Concert
New York Times
- A pair of elegant guests join the Oregon Symphony for polished Prokofiev and a fantastic 'Fantastique'
Sir Andrew Davis
- Damnation of Faust: Sir Andrew Davis leads Terfel, Staples and choirs in Berloiz opera
Sydney Morning Herald
Jon Kimura Parker
- Gramophone talks to Jon Kimura Parker
CD Review - Mozart: Piano Concertos 21 and 22
The London Times
What Jonathan Biss writes about Mozart in the recording's booklet is so inspired, so just, that I was biased in his favour before hearing a note.
His performance, as soloist and as the director of the excellent Orpheus Chamber Orchestra, in no way disappoints. These are outstanding interpretations, the interplay of soloist and orchestra that of equals in complete sympathy, the contrasting character of the two concertos and the constant changes of mood within each work felt and communicated with delight and impeccable judgment.
Biss's cadenzas, too, are well judged, as is his ornamentation - not imposed on the music, but springing naturally out of it. Interestingly, he hardly decorates the C major's magical andante at all - which, if not "correct", seems to me absolutely right.