- Alexander Prior Named Chief Conductor of the Edmonton Symphony Orchestra
- Bow Aquiver, a Calligraphic Violinist Comes to Lincoln Center
The New York Times
- Review: ‘The Trump Card’ at Woolly Mammoth Theatre Company
DC Metro Theater Arts
- Alexandre Thauraud's Recording RACHMANINOV 2 Named October's "Editor's Choice" in Gramophone!
New York Polyphony
- New York Polyphony Travels To Eternal Rome
Early Music America
- Review: Ensemble Intercontemporain / Matthias Pintscher - worth the wait
South China Morning Post
- Jun Märkl and Stefan Jackiw offer Magical Mendelssohn
- Beilman and Tyson's Musica Viva concert an impressive and diverse program
The Sydney Morning Herald
- CD reviews: SLSO team makes a convincing case for 'Scheherazade.2'
St Louis Post-Dispatch
JoAnn Falletta, Jeremy Denk
- Falletta, Denk Among Inductees to Arts and Sciences Academy
CD Review - Mozart: Piano Concertos 21 and 22
The London Times
What Jonathan Biss writes about Mozart in the recording's booklet is so inspired, so just, that I was biased in his favour before hearing a note.
His performance, as soloist and as the director of the excellent Orpheus Chamber Orchestra, in no way disappoints. These are outstanding interpretations, the interplay of soloist and orchestra that of equals in complete sympathy, the contrasting character of the two concertos and the constant changes of mood within each work felt and communicated with delight and impeccable judgment.
Biss's cadenzas, too, are well judged, as is his ornamentation - not imposed on the music, but springing naturally out of it. Interestingly, he hardly decorates the C major's magical andante at all - which, if not "correct", seems to me absolutely right.