- OPUS 3 ARTISTS WELCOMES CONDUCTOR LAWRENCE FOSTER
- THE COLBURN SCHOOL ANNOUNCES $1 MILLION GIFT FOR THE ZIERING-CONLON INITIATIVE FOR RECOVERED VOICES
- Album of the Year 2013
Donald Runnicles, Yefim Bronfman, Christoph Eschenbach, Leonidas Kavakos, Midori , Ravi Shankar, Minnesota Orchestra , Estonian Philharmonic Chamber Choir , Ian Bostridge, New York Polyphony
- CONGRATULATIONS TO THE OPUS 3 ARTISTS NOMINATED FOR A 2014 GRAMMY
- Pianist Haochen Zhang Dazzles La Jolla Audience
San Diego Story
- Yo-Yo Ma's voracious appetite for Bach resounds through sold-out Jemison Concert Hall (music review)
- Rosanne Cash At The Library Of Congress
Grammy.com "The Set List"
- Pianist Jonathan Biss brings needed vitality to performances with Cleveland Orchestra, Leon Fleisher
Cleveland Plain Dealer
Eric Whitacre & The Eric Whitacre Singers Holiday Tour
- Eric Whitacre Selected to Conduct Choir of Thousands on the Steps of the U.S. Capitol
- Life lessons from Yo-Yo Ma: Surprise Houston talk wows kids, reveals a happy-go-lucky cello celeb
Inon Barnatan: ‘Darknesse Visible’
The New York Times
By Anthony Tommasini
Inon Barnatan, pianist. Avie AV2256; CD.
EACH of the pieces on “Darknesse Visible,” a new recording by the brilliant pianist Inon Barnatan, was inspired by a literary work. The thoughtful program is typical for this insightful musician. But Mr. Barnatan’s extraordinary playing is what makes the release so rewarding.
The three pieces of Ravel’s “Gaspard de la Nuit” (which roughly translates as “Treasurer of the Night”) take their titles from poems by Aloysius Bertrand. In this pathbreaking 1908 score Ravel explored new dimensions of sound and technique on the piano. There are fiendishly difficult challenges, especially in the concluding “Scarbo,” about a gnome who stalks the sleep of the narrator.
Many fine pianists have performed “Gaspard” dazzlingly, as does Mr. Barnatan. But I have rarely heard the piece played with such rhythmic and textural clarity. Mr. Barnatan’s slightly cool approach makes the music even more demonic. The pianist has collaborated with the artist Tristan Cook on videos of “Gaspard” that have found an audience on YouTube, including an especially engrossing “Scarbo.”
Mr. Barnatan, who was born in Israel in 1979, had extensive training in London and now lives in a converted warehouse in Harlem, is also impressive in another Ravel tour de force, “La Valse.” This eerie evocation of a waltz begins amid misty colors and evolves into something maniacal. Mr. Barnatan brings tenderness, lush colors and crisp Neo-Classical touches to Debussy’s “Suite Bergamasque.” An intriguing novelty is the English composer Ronald Stevenson’s episodic and inventive 1971 fantasy on music from Britten’s opera “Peter Grimes.”Thomas Adès’s “Darknesse Visible,” the composer’s deconstruction of a song by John Dowland, has become a calling card in Mr. Barnatan’s recitals. Without changing a note, Mr. Adès reduces the song to slow motion, prolongs and repeats pitches, puts harmonies through displacements of register and reveals the musical ghost within. Mr. Barnatan’s playing is both delicate and haunting.