John Luther Adams
- OPUS 3 WELCOMES JOHN LUTHER ADAMS
John Luther Adams , Julian Wachner, Ludovic Morlot, David Robertson, Robert Spano, Renaud Capucon, Daniel Hope, Jennifer Koh, Gil Shaham, Alisa Weilerstein, Béla Fleck, Brooklyn Rider , Maya Beiser, Rosanne Cash, Voces8 , New York Polyphony
- End of Year 2014 'Best Of' Roundup
- Norman Lebrecht Album of the Week
- Violin in good hands with soloist, orchestra
The Columbus Dispatch
- Concert review: Denk shuffles Schubert, Janácek with creative panache
The Philadelphia Inquirer
Alvin Ailey American Dance Theater
- New Ailey dance pays tribute to civil rights icon
- ProMusica's commissioned violin concerto brings together two friends
The Columbus Dispatch
- Violinist Benjamin Beilman joins the roster
New York Polyphony
- Preview: New York Polyphony adds a modern flair to old music
- From Bach to Barber with Barnatan
The Boston Musical Intelligencer
Orpheus Chamber Orchestra
The Washington Post
Exactly one year ago, when the conductorless Orpheus Chamber Orchestra performed at the Music Center at Strathmore in a program that included two Mozart piano concertos, I wondered here in print whether going it alone in that repertoire was really optimal, given the complexity of the scores and the naturally opposing forces of soloist and orchestra.
Nothing impresses me more than chutzpah, and Thursday night the same forces in the same hall upped the ante considerably, putting on the gargantuan Brahms Piano Concerto in D Minor, this time with Yefim Bronfman riding shotgun. I doubt whether such a thing had been attempted before, anywhere.
Every musician onstage was a consummate professional who relished this unprecedented challenge. The results were impressive -- every Orpheus performance is -- but it was a stunt nonetheless. The head-bobbing required of the concertmaster to commence and maintain the Adagio, for example, made many of us nervous. The brief, intense three-voice canon that precedes the solo entry in the first movement was unbalanced, and there was a distinct sense of the musicians "hanging on to" one another throughout. Even Bronfman was called upon to give cues, and he had his hands full.
The additional tension did not seem to faze him, however; the solo part was spread on a wide, colorful canvas, and the big second-subject solos in the first movement were masterfully built up. Earlier, Orpheus gave sparkling readings of three Brahms Hungarian Dances and Schoenberg's lush Chamber Symphony No. 1.