- 09.03.10
International Tchaikovsky Competition - Tchaikovsky 2011 laureates to be managed worldwide by leading artist agencies
International Tchaikovsky Competition - 09.02.10
Alvin Ailey American Dance Theater - JUDITH JAMISON TO BE HONORED AT WHITE HOUSE DANCE SERIES PRESENTED BY FIRST LADY MICHELLE OBAMA
Alvin Ailey Press Room - 08.30.10
Donald Runnicles - EIF: A new wonder of the world
Herald Scotland - 08.28.10
Alisa Weilerstein, Minnesota Orchestra - Prom 56: Minnesota Orchestra / Vanska, Royal Albert Hall, London
The Independent (UK) - 08.26.10
Osvaldo Golijov, Golijov's La Pasión según San Marcos - The Passion of Osvaldo Golijov
Bluefat - 08.25.10
Sarah Chang - Leonard Slatkin and Sarah Chang return to the Hollywood Bowl for Shostakovich
Los Angeles Times - 08.25.10
Lawrence Foster - Philadelphia Orchestra finale excited SPAC audience
The Saratogian - 08.24.10
eighth blackbird - eighth blackbird performs Steve Reich’s Pulitzer Prize-winning Double Sextet on new Nonesuch CD, to be released on Sept 14
21C Media Group - 08.23.10
Jeremy Denk - Mozart as Appetizer, Schumann as a Main Course
New York Times - 08.22.10
Silk Road Ensemble - Ma's Silk Road group treats Ravinia throng to a multicultural jam session
Chicago Tribune
ARTIST NEWS
Stefan Jackiw: Talent That's Off the Scale
01.01.01
Stefan Jackiw
The Washington Post
Listening to the apparently endless parade of expert, teenage violinists passing through our concert halls, you'd be hard-pressed to find one with a more consistently beautiful sound than 19-year-old Stefan Jackiw. His reading of Saint-Saens's Violin Concerto No. 3, with the Baltimore Symphony Orchestra at the Music Center at Strathmore on Thursday, was marked by elegance, a supple, singing line and a liquid tone that never hardened, even in the score's bravura passages.
This was gorgeous playing -- from the spot-on precision in the first movement's stratospheric high notes through the poise and nobility imbuing the swaggering finale. If Jackiw's performance was more laid-back and objective than emotionally invested, his playing provided enough ear candy to satisfy. The BSO proved a suitably suave partner, with conductor Yuri Temirkanov coaxing silken playing from the strings and subtly blended chording from the winds.
The orchestra was more extroverted in Franck's Symphony in D Minor. It's a piece that suits Temirkanov's temperament well -- or, rather, the conductor shaped the score successfully to his will. In Temirkanov's hands, this might have been a lost work by Tchaikovsky or Glazunov, so Russian was the surge of the phrasing, the crush of the climaxes, the cut-and-thrust in the brass playing, the soulfulness in the violins and lower winds. But in this least overtly French of French symphonies, his pulse-quickening, Slavic approach worked to exciting effect.









