
The New York Times“… Mr. Jacobsen was an interpretive dynamo.”
The Boston Musical Intelligencer“Jacobsen’s style on the podium was energetic and dynamic in the livelier sections, while expressive and fluid in the quieter moments, allowing the players to shape their own solo lines…”
Hamburger Adenblatt“{The Knights with Eric Jacobsen] playfully combine early music with avant garde, great classics with world music — consistently blowing away audiences because this mix is simply irresistibly refined.”
Diapason“In the first movement, the contrast… between the breadth and the power of the orchestral exposition and the incredible lightness in the development is negotiated with mastery.”
Primephonic“The orchestral playing is particularly impressive: The Knights, under the baton of Eric Jacobsen, provide both a strong force and subtle sensitive moments… The orchestra gives strength in characters, glowing and shimmering… full of ever-changing virtuosic prowess.”
Destimed (France)“The Knights, an ensemble that loves to share and open doors of musical exploration for audiences, has reached, with its director Eric Jacobsen, a level of ambition and sound perfection that is, again, unparalleled. Unforgettable, was the comment one could overhear everywhere when leaving the concert hall. We agree and confirm!”
Orlando Sentinel“…As a conductor, Jacobsen never upstaged the music. He used graceful, sweeping motions or small, precise strokes for trickier passages. But there was nothing flashy about his direction; he appeared perfectly content to let featured musicians keep the momentum going when appropriate.”
Echo|Online“In the second movement [of Beethoven’s symphony no. 7] Jacobsen knows how to effectively approach the Funeral March and then give a sample of the ensemble’s potential in the following Presto…Jan Vogler and the Knights were in their quintessential element and caused thundering applause.”
Already well-established as one of classical music’s most exciting and innovative young conductors, Eric Jacobsen combines fresh interpretations of the traditional canon with cutting-edge collaborations across musical genres. Hailed by The New York Times as “an interpretive dynamo,” Eric, as both a conductor and a cellist, has built a reputation for engaging audiences with innovative and collaborative programming.
Eric joined the Virginia Symphony Orchestra as Music Director in 2021, being named the twelfth music director in the orchestra’s 100+ year history. The robust season ahead looks forward to a World Premiere by Reena Esmail written for Orli and Gil Shaham, as well as Anna Clyne’s DANCE with Jan Vogler.
Eric was named Music Director of the Orlando Philharmonic Orchestra in 2015, and he continues to pioneer the orchestra’s programming and community engagement in new and exciting directions. Eric was also recently named the Principal Guest Conductor of the Classical Tahoe Musical Festival.
Eric is also artistic director and co-founder of The Knights, the uniquely adventurous NYC-based chamber orchestra. The ensemble, founded with his brother, violinist Colin Jacobsen, grew out of late-night music reading parties with friends, good food and drink, and conversation. Current endeavors include a multi-year Rhapsody project as well as a residency at Carnegie Hall. Under Jacobsen’s baton, The Knights have developed an extensive recording collection, including albums with longtime collaborators Yo-Yo Ma, Gil Shaham, Aaron Diehl, Gabriel Kahane and Anna Clyne.
Eric’s musical life started from a very young age surrounded by a musical family, where he discovered his love of pulling a bow across a string as a cellist. He and his brother founded the string quartet Brooklyn Rider and also performed regularly with Yo-Yo Ma as a member of Silkroad, touring around the world. This collaborative spirit and sense of music is something that Eric strives to bring to every concert and project.
A frequent guest conductor, Eric has established continuing relationships with the Colorado Symphony, Detroit Symphony, New Jersey Symphony Orchestra and the Dresden Musikfestspiele. Recent and upcoming engagements also include concerts with the Chicago Symphony, Philadelphia Orchestra, Kansas City Symphony, Milwaukee Symphony, Grant Park Music Festival, Utah Symphony, and the Atlanta Symphony.
Eric brings joy, storytelling, and a touch of humor to what he describes as “musical conversations” that delight audiences around the world, including those who do not traditionally attend classical music concerts. Jacobsen is married to GRAMMY-winning singer-songwriter Aoife O’Donovan and together they have a daughter.
AUGUST 2025