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David Robertson, St. Louis Symphony Orchestra
Walt Disney Concert Hall Performance Combines Modern Music with Breathtaking National Park Images
ABC 7 Eyewitness News Los Angeles
John Luther Adams, Ludovic Morlot, David Robertson, Robert Spano, Antoine Tamestit, Rosanne Cash
John Luther Adams, Osvaldo Golijov, Sir Andrew Davis, Ludovic Morlot, David Robertson, Donald Runnicles, Robert Spano, Bramwell Tovey, Julian Wachner, Yefim Bronfman, Jeremy Denk, Renaud Capucon, Daniel Hope, Stefan Jackiw, Jennifer Koh, Gil Shaham, Yo-Yo Ma, Alisa Weilerstein, Béla Fleck, Brooklyn Rider , Maya Beiser, Rosanne Cash, Voces8 , New York Polyphony
End of Year 2014 'Best Of' Roundup
John Luther Adams, Sir Andrew Davis, Giancarlo Guerrero, Ludovic Morlot, David Robertson, Robert Spano, Daniil Trifonov, Jennifer Koh, Gidon Kremer, Wu Man, Anoushka Shankar, Mason Bates, Rosanne Cash, Julianna Di Giacomo, Tamara Mumford, New York Polyphony
David Robertson, Gil Shaham
David Robertson and Gil Shaham join the NYOUSA for a summer tour
David Robertson, Christine Goerke, Anthony Dean Griffey
So Much Operatic Life, and a Fatality
The New York Times
David Robertson, Anthony Dean Griffey
Music Review: Meeting Village Ostracism With Repressed Rage
The New York Times
David Robertson
Sydney Symphony
David Robertson, St. Louis Symphony Orchestra
Robertson, SLSO triumph in complex new concerto
St. Louis Post-Dispatch
David Robertson
She Can Be Tender, but She May Be a Killer, Too
The New York Times
David Robertson, Orli Shaham
New World Symphony bids farewell to the Lincoln Theatre in final concerts
South Florida Classical Review
David Robertson, Gil Shaham, St. Louis Symphony Orchestra
Review: St. Louis Symphony Orchestra
San Francisco Chronicle
David Robertson, St. Louis Symphony Orchestra
Artful Programming, Immaculately Played
Musical America
David Robertson, Gil Shaham
Sam, Gil, Bela, David, Maurice
New York Daily News
David Robertson, Gil Shaham
The Dubious Sounds of Nature
David Robertson, Nicolas Hodges
The Toe-Tapping Starts at the Podium
The New York Times
Osvaldo Golijov, David Robertson, Christoph Eschenbach
The ten best classical albums of the Noughties
The Times (London)
David Robertson, Colin Currie
David Robertson, Colin Currie and the SLSO issue a wake-up call
St. Louis Post-Dispatch
David Robertson, Orli Shaham
At Tanglewood: Style Points
The Faster Times
David Robertson
David Robertson. Highbrow, Brilliant
New York Magazine
David Robertson
Is That in Your Job Description, Maestro?
The New York Times
David Robertson, St. Louis Symphony Orchestra
St. Louis, Chicago come together in music and dance
St. Louis Post Dispatch
David Robertson, St. Louis Symphony Orchestra
David Robertson, St. Louis Symphony Orchestra
St. Louis Symphony Orchestra One Of ITunes Top 10 of 2008
David Robertson, Jeremy Denk
Pianos, Sopranos, Pixels and Puppets
The New York Times
Marin Alsop, David Robertson, Steven Sloane
Alex Ross: The Ten Best Performances of 2008
The New Yorker
David Robertson, Leonidas Kavakos
Hearing a Classical Score With a Contemporary Ear
The New York Times
David Robertson
Conductor Makes the Old New and the New Newer
The New York Times

A consummate musician, masterful programmer and dynamic presence, American maestro David Robertson has established himself as one of today’s most sought-after conductors. A passionate and compelling communicator with an extensive orchestral and operatic repertoire, he has forged close relationships with major orchestras around the world through his exhilarating music-making and stimulating ideas. In fall 2015, Robertson launched his 11th season as Music Director of the 136-year-old St. Louis Symphony. In January 2016, David Robertson embarks on his third year as Chief Conductor and Artistic Director of the Sydney Symphony Orchestra in Australia.

Highlights of the 2015-16 season with the St. Louis Symphony include a California tour in January and February, featuring Mahler’s Symphony No. 5 and Messiaen’s Des canyons aux étoiles... (From the Canyons to the Stars...), with accompanying video imagery by photographer Deborah O’Grady in an international co-commission with the Sydney Symphony Orchestra et al. Also on the California tour, soloist Timothy McAllister performs John Adams’ Saxophone Concerto. The concerto was part of the latest Symphony recording, City Noir, on Nonesuch, which received the 2014 Grammy Award for Best Orchestral Performance. Other highlights for Robertson and the St. Louis Symphony are the U.S. premiere of Tan Dun’s Contrabass Concerto: The Wolf, featuring Principal Double Bass Erik Harris, and John Adams’ most recent symphony for violin, Scheherazade.2, performed by Leila Josefowicz. The Scheherazade.2 performances are being recorded live by Nonesuch for future release. 

To celebrate his decade-long tenure with the St. Louis Symphony in 2014-15, David Robertson showcased 50 of the orchestra’s musicians in solo or solo ensemble performances throughout the season. Other highlights included a concert performance of Verdi’s Aida featuring video enhancements by S. Katy Tucker (one of a series of such collaborations during the season), and a return to Carnegie Hall with a program featuring the music of Meredith Monk, the season’s holder of Carnegie’s Richard and Barbara Debs Composer’s Chair. In 2013-14, David Robertson led the St. Louis Symphony in a Carnegie Hall performance of Britten’s Peter Grimes on the Britten centennial that Anthony Tommasini, in The New York Times, selected as one of the most memorable concerts of the year.

Highlights of the 2016 season with the Sydney Symphony Orchestra also include the presentation of From the Canyons to the Stars with photography by Deborah O’Grady and John Adams’ Scheherazade.2, performed by Leila Josefowicz. In August, Robertson will conduct the three great ballet scores that Stravinsky composed for Diaghilev's Ballets Russes – The Rite of Spring, The Firebird and Petrushka. Then, he will round out the year with Gershwin’s Porgy and Bess as part of his acclaimed Opera in Concert series.Robertson has led the resurgence of operas in concert at the Sydney Symphony Orchestra, bringing to Sydney audiences dramatic repertoire with full orchestra through presentations of Wagner’s Tristan und Isolde and The Flying Dutchmann, and Richard Strauss’ Elektra

Robertson is a frequent guest conductor with major orchestras and opera houses around the world. He also led the summer 2014 U.S. tour of the National Youth Orchestra of the United States of America, a project of Carnegie Hall’s Weill Music Institute, in cities including Boston and Chicago, culminating in a concert at Walt Disney Concert Hall in Los Angeles.

With over 50 operas in his repertoire, Robertson has appeared at many of the world’s most prestigious opera houses including The Metropolitan Opera, La Scala, Opéra de Lyon, Bayerische Staatsoper, Théâtre du Châtelet, Hamburg State Opera, Santa Fe Opera, and San Francisco Opera. In 2014 Robertson led The Metropolitan Opera in a historic production of John Adams’ The Death of Klinghoffer. Alex Ross wrote of the intense performances, which included protesters in the auditorium, in The New Yorker, “…the Met was lucky to have David Robertson, a fearless and impassioned conductor….”

A champion of young musicians, David Robertson has devoted time to working with students and young artists throughout his career. In 2013 he joined John Adams in leading a Carnegie Hall Training Workshop titled “The 21st-Century American Contemporary Ensemble,” and also led the young Ensemble ACJW in concert at Carnegie. In addition to creating and leading many outreach programs with the Ensemble Intercontemporain and the Orchestre National de Lyon, Robertson also has worked with students at Carnegie Hall’s Academy, the Paris Conservatory, The Juilliard School, Tanglewood, National Orchestral Institute in Maryland, and Aspen Music Festival and School. 

Over the last two and a half decades, Robertson has held several postings abroad. Prior to his St. Louis Symphony and Sydney Symphony Orchestra appointments, Robertson was Principal Guest Conductor of the BBC Symphony Orchestra from 2005-2012, and was the first artist ever to hold simultaneously the posts of Music Director of the Orchestre National de Lyon and Artistic Director of that city’s Auditorium, positions he maintained from 2000-2004. From 1992-2000 he was Music Director of the Ensemble Intercontemporain in Paris (whose Honorary President Pierre Boulez was one of Robertson’s early supporters), and from 1985-1987 he served as Resident Conductor of the Jerusalem Symphony Orchestra. 

David Robertson has made numerous recordings for Sony Classical, Naive, EMI/Virgin Classics, Deutsche Grammophon, Atlantic/Erato, Nuema, Adès, Valois and Naxos, in addition to his recent recordings with the St. Louis Symphony for Nonesuch, one of which, the Doctor Atomic Symphony, was named “Classical CD of the Decade” by the London Times. His download-only “Live from Powell Hall” releases recorded with the St. Louis Symphony include works by Adams, Scriabin, and Szymanowski. David Robertson has also made two recordings with the Sydney Symphony Orchestra on its Sydney Symphony Live label; Stravinsky’s The Firebird and Holst’s The Planets in high fidelity Pure Audio Blu-ray format. Other recordings feature works by such composers as Bartók, Boulez, Carter, Dusapin, Dvorák, Ginastera, Lalo, Milhaud, Reich, Saint-Saëns, and Silvestrov.


Born in Santa Monica, California, Robertson was educated at London’s Royal Academy of Music, where he studied horn and composition before turning to orchestral conducting. David Robertson received Columbia University’s 2006 Ditson Conductor’s Award, and he and the St. Louis Symphony are recipients of several major awards from ASCAP and the League of American Orchestras, including the 2008-09 Award for Programming of Contemporary Music, and the 2005-06 Morton Gould Award for Innovative Programming. Musical America named Robertson Conductor of the Year for 2000. In 1997, he received the Seaver/National Endowment for the Arts Conductors Award, the premiere prize of its kind, given to exceptionally gifted American conductors. He holds honorary doctorates from the Washington University in St. Louis (2014), University of Missouri-St. Louis (2011), Westminster Choir College (2010), Webster University (2009) and Maryville University (2007). In 2010 he was elected a Fellow of the American Academy of Arts and Sciences, one of the most prestigious honorary societies in the United States, and that same year received the Excellence in the Arts award from the St. Louis Arts and Education Council. In 2011, David Robertson was made a Chevalier de l’Ordre des Arts et des Lettres. He and his wife, pianist Orli Shaham, are parents of twin boys. Robertson also has two older sons.

Last updated January 2016. Contact Opus 3 Artists for the most up-to-date version.