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Photo by Marica Rosengard
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Photo by Lauri Eriksson
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Rusalka
La Voix Humaine – Finnish National Opera
Makropulos Act III Scene 1
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“Mattila left her audience gobsmacked… Her high A‑flats glowed like searchlights in fog.”

The New Yorker

“Mattila is unquestionably glorious…that engulfing sound still hits you in the solar plexus.”

The Guardian

“Her voice is a complete instrument, a thing of beauty and power. She sails over the orchestra without effort, retaining the honeyed warmth of her tone even at the highest volume.”

New Yorker

“Fabulous and fearlessly direct singing… from the full‑on operatic to the intimate, all delivered with a laser‑sharp awareness of both text and context.”

Guardian

Internationally revered for her lyric vocal beauty and commanding theatrical presence, Karita Mattila continues to captivate audiences worldwide in a career spanning more than four decades. The Finnish soprano has garnered critical acclaim for her dramatic portrayals and celebrated interpretations of 20th-century and contemporary repertoire.

24/25 season highlights include returns to the Royal Opera House, Covent Garden for Jenůfa (Kostelnička); the National Theatre Prague for Jenůfa (Kostelnička); Opéra national de Paris for Suor Angelica (La zia Principessa); ABAO Bilbao Opera for Suor Angelica (La zia Principessa); and the Gran Teatre del Liceu for Rusalka (Foreign Princess).

Operatic highlights of Ms. Mattila’s recent seasons include Salome (Herodias) at Opéra National de Paris, Canadian Opera Company, and Houston Grand Opera; Elektra (Klytämnestra) at Deutsche Oper Berlin and Royal Opera House, Covent Garden; Suor Angelica (La zia Principessa) at the Salzburg Festival; La voix humaine (Elle) at Finnish National Opera; Jenůfa (Kostelnička) in Claus Guth’s award-winning production at The Royal Opera, Covent Garden; Lohengrin (Ortrud) at the Savonlinna Festival; and The Makropulos Case (Emilia Marty) at Opéra national de Paris.

A two-time GRAMMY® Award winner for Die Meistersinger von Nürnberg (Eva) under Sir Georg Solti and Jenůfa (Jenůfa) under Bernard Haitink, Ms. Mattila’s extensive discography includes Vier letzte Lieder under Claudio Abbado (Deutsche Grammophon) and her 40th birthday concert from Helsinki (Ondine).

Her distinguished career has been recognized with numerous honors, including the Order of the Lion of Finland (First Class Commander), Musical America’s Musician of the Year, the Chevalier des Arts et des Lettres, and the Royal Philharmonic Society Award for her performances in Jenůfa (Kostelnička) and The Makropulos Case (Emilia Marty).

Ms. Mattila studied at the Sibelius Academy in Helsinki with Liisa Linko-Malmio and later with Vera Rózsa. A sought-after mentor, she has recently led masterclasses at the Peabody Institute, Lauluakatemia Helsinki, the Birgit Nilsson Museum, Wigmore Hall (in partnership with the Sibelius Academy and Keval Shah), and Savonlinna Music Academy.

2024-2025