{"id":6114,"date":"2020-01-29T17:37:14","date_gmt":"2020-01-29T17:37:14","guid":{"rendered":"https:\/\/www.opus3artists.com\/?p=6114"},"modified":"2020-02-05T17:37:24","modified_gmt":"2020-02-05T17:37:24","slug":"review-his-refined-musicality-is-second-to-none-among-guitarists","status":"publish","type":"post","link":"https:\/\/www.opus3artists.com\/review-his-refined-musicality-is-second-to-none-among-guitarists\/","title":{"rendered":"Review: His refined musicality is second to none among guitarists"},"content":{"rendered":"

Milo\u0161 at Wigmore Hall: The musician has returned to the London venue after living through his \u2018wildest musical fantasies\u2019<\/p>\n

From The Independent<\/a><\/p>\n

By Michael Church<\/p>\n

In 2009 Milos Karadaglic made his London debut as a young unknown at the Wigmore Hall. Since then, as just plain Milos, this peerless Montenegrin guitarist has established himself as the anointed successor to Julian Bream, and has released a series of acclaimed autobiographical CDs. And his story is indeed worth telling.<\/p>\n

…<\/p>\n

He\u2019s come back to the Wigmore to present the fruits of this exploration: Bach and a clutch of classical composers from the Hispanic world, plus arrangements of three Beatles songs. Bach\u2019s Lute Partita in C minor becomes a reminder of why Milos\u2019s refined musicality is second to none among guitarists. Each movement is finely shaded, and the fugue has a smooth eloquence. Two Granados dances trip past with fleet delicacy, while Isaac Albeniz\u2019s \u201cAsturias\u201d, in an arrangement by Milos\u2019s tutor Michael Lewin, evinces a fine flamenco fury.<\/p>\n

Interlarded with short pieces by Tarrega and De Falla, the programme continues with five Villa-Lobos preludes which allow Milos to play brilliant games with dynamics \u2013 from a wispy breath of wind to a raging tempest \u2013 but the Beatles numbers, though clever, come over as mere curiosities. The encore \u2013 a harmonically oblique rendering of \u201cOver the Rainbow\u201d \u2013 gracefully dematerialises.<\/p>\n

Read the full review.<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Milo\u0161 at Wigmore Hall: The musician has returned to the London venue after living through his \u2018wildest musical fantasies\u2019 From The Independent By Michael Church In 2009 Milos Karadaglic made his London debut as a young unknown at the Wigmore Hall. Since then, as just plain Milos, this peerless Montenegrin guitarist has established himself as … Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":5361,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[3908,3954,3670,3612],"acf":[],"_links":{"self":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/6114"}],"collection":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/comments?post=6114"}],"version-history":[{"count":1,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/6114\/revisions"}],"predecessor-version":[{"id":6115,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/6114\/revisions\/6115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/media\/5361"}],"wp:attachment":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/media?parent=6114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/categories?post=6114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/tags?post=6114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}