{"id":5456,"date":"2019-10-23T21:41:24","date_gmt":"2019-10-23T21:41:24","guid":{"rendered":"https:\/\/www.opus3artists.com\/?p=5456"},"modified":"2019-11-04T21:46:06","modified_gmt":"2019-11-04T21:46:06","slug":"critical-acclaim-for-marek-janowskis-fall-2019-us-symphony-appearances","status":"publish","type":"post","link":"https:\/\/www.opus3artists.com\/critical-acclaim-for-marek-janowskis-fall-2019-us-symphony-appearances\/","title":{"rendered":"Critical Acclaim for Marek Janowski&#8217;s Fall 2019 US Symphony Appearances"},"content":{"rendered":"<p><strong>Dallas Symphony (Dvorak &#8211; Cello Concerto, Schumann &#8211; Symphony No. 2)<\/strong><br \/>\n\u201cThese were performances that, in the best sense, could be called \u201coperatic\u201d: theatrical in timing and dynamic strategy, vocal in the contour of phrases.\u201d<br \/>\n<em><a href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/performing-arts\/2019\/10\/18\/guest-conductor-marek-janowski-brings-old-school-nobility-to-the-dallas-symphony-orchestra\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dallas Morning News<\/a><\/em><\/p>\n<p><strong>National Symphony Orchestra (Mozart &#8211; Violin Concerto No. 4, Bruckner &#8211; Symphony No. 7)<\/strong><br \/>\n\u201cit took Janowski to make the Bruckner shine.\u201d<\/p>\n<p>\u201cthe simple, even motions of his arms elicited powerful sounds from the orchestra, gently building crescendos tightening the screws of intensity, leading to crashing climaxes without him breaking into a sweat\u201d<\/p>\n<p>\u201cJanowski\u2019s playing felt warm and centered but moved along at a strong pace\u201d<\/p>\n<p>\u201cIt was a deep and engaging performance\u201d<br \/>\n<a href=\"https:\/\/www.washingtonpost.com\/entertainment\/music\/an-old-hand-shines-anew-in-bruckner\/2019\/10\/10\/8283e674-ebd1-11e9-85c0-85a098e47b37_story.html\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Washington Post<\/em><\/a><\/p>\n<p><strong>San Francisco Symphony (Hindemith &#8211; Concert Music for Strings and Brass, Mendelssohn &#8211; Violin Concerto, Mozart &#8211; Symphony No. 41 \u201cJupiter\u201d)<\/strong><br \/>\n\u201cThe rest of the program, led with characteristic clarity and assurance by guest conductor Marek Janowski, combined music of greater and less familiarity\u2026 Janowski\u2019s great party trick is his ability to wring all sorts of grandeur out of even the most overplayed repertoire, and he did it again here.\u201d<\/p>\n<p>\u201cUnder guest conductor Marek Janowski\u2019s decisive but supple hand, the values of the work\u2019s climax came pouring forth in a stream of potent and lucid invention.\u201d<br \/>\n<a href=\"https:\/\/datebook.sfchronicle.com\/music\/sf-symphonys-concert-with-a-teenage-soloist-does-no-one-any-favors\" target=\"_blank\" rel=\"noopener noreferrer\"><em>San Francisco Chronicle<\/em><\/a><\/p>\n<p>\u201cUnder guest conductor Marek Janowski\u2019s decisive but supple hand, the values of the work\u2019s climax came pouring forth in a stream of potent and lucid invention.\u201d<br \/>\n<a href=\"https:\/\/www.sfcv.org\/reviews\/san-francisco-symphony\/sf-symphony-hit-the-stratosphere-with-mozarts-jupiter\" target=\"_blank\" rel=\"noopener noreferrer\"><em>San Francisco Classical Voice<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dallas Symphony (Dvorak &#8211; Cello Concerto, Schumann &#8211; Symphony No. 2) \u201cThese were performances that, in the best sense, could be called \u201coperatic\u201d: theatrical in timing and dynamic strategy, vocal in the contour of phrases.\u201d Dallas Morning News National Symphony Orchestra (Mozart &#8211; Violin Concerto No. 4, Bruckner &#8211; Symphony No. 7) \u201cit took Janowski &hellip; <a href=\"https:\/\/www.opus3artists.com\/critical-acclaim-for-marek-janowskis-fall-2019-us-symphony-appearances\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":1320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[3685,3613,3706,3686,3612],"acf":[],"_links":{"self":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/5456"}],"collection":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/comments?post=5456"}],"version-history":[{"count":3,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/5456\/revisions"}],"predecessor-version":[{"id":5460,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/5456\/revisions\/5460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/media\/1320"}],"wp:attachment":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/media?parent=5456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/categories?post=5456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/tags?post=5456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}