{"id":15874,"date":"2024-08-15T15:12:17","date_gmt":"2024-08-15T19:12:17","guid":{"rendered":"https:\/\/www.opus3artists.com\/?p=15874"},"modified":"2025-03-18T15:17:12","modified_gmt":"2025-03-18T19:17:12","slug":"review-solid-cast-stolid-mozart-at-ravinia","status":"publish","type":"post","link":"https:\/\/www.opus3artists.com\/review-solid-cast-stolid-mozart-at-ravinia\/","title":{"rendered":"Review: Solid Cast, Stolid Mozart at Ravinia"},"content":{"rendered":"<p><a href=\"https:\/\/www.musicalamerica.com\/news\/newsstory.cfm?storyid=57989&amp;categoryid=4&amp;archived=0\" target=\"_blank\" rel=\"noopener\">From Musical America<\/a><\/p>\n<p>By Hannah Edgar<\/p>\n<p>Matthew Polenzani. Tamara Wilson. Samantha Hankey. Andrea Carroll.<\/p>\n<p>Those names aren\u2019t off a Met marquee. They comprised the principal cast of Ravinia\u2019s <em>Idomeneo<\/em>, directed by James Conlon in a concert version at the Ravinia Festival\u2019s Martin Theater. \u201cMozart in the Martin,\u201d as the series is branded, has been a trademark of Conlon\u2019s since he was music director of the festival from 2005 to 2015. Over the years he and the Chicago Symphony have cavorted through the Da Ponte trilogy, <em>The Magic Flute<\/em>, and <em>The Abduction from the Serail<\/em>, all with the top-flight casting you\u2019d expect at an international opera house. Nor has the requisite concert setting deterred Conlon from presenting Mozart\u2019s more esoteric operas.<\/p>\n<p>Two years ago, he led <em>La clemenza di Tito<\/em>; even <em>Idomeneo<\/em>, long a rarity, isn\u2019t a Ravinia first, with Conlon and the CSO having tackled it in 2012.<\/p>\n<p>&#8230;this <em>Idomeneo<\/em> was full of splendors. Polenzani was exquisitely cast in the title role, his signature brassy tenor capable of shrinking to a delicate tendril and swelling back again. His acting was also far more compelling than it was last year in <em>La clemenza di Tito<\/em>, relaying the depths of Idomeneo\u2019s anguish and the fevered intensity of his rage with potent immediacy.<\/p>\n<p>&#8230;<\/p>\n<p>The entire evening ran a tight three hours: Conlon wisely cut the ballets and placed a short intermission halfway through Act II, after Idomeneo\u2019s \u201cFuor del mar.\u201d Hearteningly, the Martin was well-sold\u2014a challenge in other bookings this season, and for Conlon\u2019s 2022 Mozart diptych. May it be so every year. Even on an off day, audiences would be hard-pressed to hear a better-cast Mozart this side of New York.<\/p>\n<p><a href=\"https:\/\/www.musicalamerica.com\/news\/newsstory.cfm?storyid=57989&amp;categoryid=4&amp;archived=0\" target=\"_blank\" rel=\"noopener\">Read the full review.<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Musical America By Hannah Edgar Matthew Polenzani. Tamara Wilson. Samantha Hankey. Andrea Carroll. Those names aren\u2019t off a Met marquee. They comprised the principal cast of Ravinia\u2019s Idomeneo, directed by James Conlon in a concert version at the Ravinia Festival\u2019s Martin Theater. \u201cMozart in the Martin,\u201d as the series is branded, has been a &hellip; <a href=\"https:\/\/www.opus3artists.com\/review-solid-cast-stolid-mozart-at-ravinia\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":1167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[3613,4401,4109,3705,5574,3612],"class_list":["post-15874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-conductor","tag-james-conlon","tag-mozart","tag-opera","tag-ravinia","tag-review"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/15874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/comments?post=15874"}],"version-history":[{"count":2,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/15874\/revisions"}],"predecessor-version":[{"id":15876,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/posts\/15874\/revisions\/15876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/media\/1167"}],"wp:attachment":[{"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/media?parent=15874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/categories?post=15874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.opus3artists.com\/api\/wp\/v2\/tags?post=15874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}