- 09.03.10
International Tchaikovsky Competition - Tchaikovsky 2011 laureates to be managed worldwide by leading artist agencies
International Tchaikovsky Competition - 09.02.10
Alvin Ailey American Dance Theater - JUDITH JAMISON TO BE HONORED AT WHITE HOUSE DANCE SERIES PRESENTED BY FIRST LADY MICHELLE OBAMA
Alvin Ailey Press Room - 08.30.10
Donald Runnicles - EIF: A new wonder of the world
Herald Scotland - 08.28.10
Alisa Weilerstein, Minnesota Orchestra - Prom 56: Minnesota Orchestra / Vanska, Royal Albert Hall, London
The Independent (UK) - 08.26.10
Osvaldo Golijov, Golijov's La Pasión según San Marcos - The Passion of Osvaldo Golijov
Bluefat - 08.25.10
Sarah Chang - Leonard Slatkin and Sarah Chang return to the Hollywood Bowl for Shostakovich
Los Angeles Times - 08.25.10
Lawrence Foster - Philadelphia Orchestra finale excited SPAC audience
The Saratogian - 08.24.10
eighth blackbird - eighth blackbird performs Steve Reich’s Pulitzer Prize-winning Double Sextet on new Nonesuch CD, to be released on Sept 14
21C Media Group - 08.23.10
Jeremy Denk - Mozart as Appetizer, Schumann as a Main Course
New York Times - 08.22.10
Silk Road Ensemble - Ma's Silk Road group treats Ravinia throng to a multicultural jam session
Chicago Tribune
ARTIST NEWS
Lynn Harrell, Stephen Paulus and the Grand Tetons - listen to the world premiere performance!
08.24.09
Lynn Harrell
Minnesota Public Radio
Teton Village, WY — Donald Runnicles initially requested a violin concerto from composer Stephen Paulus to be performed at the final concerts of the Grand Teton Music Festival. But later he changed his mind since the great American virtuoso cellist, Lynn Harrell, expressed interest in a new showcase work.
A lot of good ideas begin to take on a life of their own once the actual work starts, and this piece is no exception. Paulus says he had envisioned a three movement - fast-slow-fast - concerto, but soon found the third scherzo movement too short and quirky to act as the finale.
So he took on a whole new challenge of writing a slow and more contemplative movement to end the almost 30-minute concerto - and to top it off, the concerto would finish pianissimo.
While there would be no huge explosive ending that would bring the audience to its feet, as Paulus points out, "There's more than one way to show off a soloist. How about gorgeous, lyrical high notes? After all, it's possible to 'knock 'em over with a feather."
And 'knock 'em over' just about describes the premiere of this new concerto at the Grand Teton Music Festival; a work the soloist says "is like a revitalization of my musical existence."









