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Andriana Chuchman, Michael Todd Simpson, Morris Robinson, Francesca Zambello
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Morris Robinson
From Spirtuals to Mozart, a Bass Displays His All-Around Game
The New York Times

Morris Robinson is quickly gaining a reputation as one of the most interesting and sought after basses performing today.

A graduate of the Metropolitan Opera Lindemann Young Artist Development Program, Mr. Robinson made his debut at the Metropolitan Opera in their production of Fidelio. He has since appeared there as Sarastro in Die Zauberflöte (both in the original production and in the children’s English version), Ferrando in Il Trovatore,  the King in Aida, and in roles in NabuccoTannhäuser, and the new productions of Les Troyens and Salome. He has also appeared at the San Francisco Opera, Lyric Opera of Chicago, Dallas Opera, Houston Grand Opera, Boston Lyric Opera,  Pittsburgh Opera, Opera Philadelphia, Seattle Opera, Los Angeles Opera, Cincinnati Opera, Boston Lyric Opera, Opera Theater of St. Louis, Vancouver Opera, Wolf Trap Opera, Opera Australia, and the Aix-en-Provence Festival. His many roles include Sarastro in Die Zauberflöte, Osmin in Die Entführung aus dem Serail, Ramfis in Aida,  Zaccaria in Nabucco, Sparafucile in Rigoletto, Commendatore inDon Giovanni, Grand Inquisitor in Don Carlos, Timur in Turandot, the Bonze in Madama Butterfly, Padre Guardiano in La Forza del Destino, Ferrando in Il Trovatore, and Fasolt in Das Rheingold. 

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