This season bass-baritone Keith Miller returns to the Metropolitan Opera as Sam in the new production of
Ballo in Maschera and as Zurga in
Carmen and makes his debut at the Nashville Opera as Sarastro in
Die Zauberflöte. He has developed a close relationship with the Metropolitan Opera over the past several seasons, appearing in its new productions of
Anna Bolena, Carmen, Armida, Tosca, Salome, Madama Butterfly, and
Macbeth, all of which were featured in the popular
The Met: Live in HD series. He was also a featured soloist in its inaugural Summer Recital Series in New York City and appeared in its recent revival of
Billy Budd.
Other recent opera engagements have included Riolobo in
Florencia en Amazonas at Opera Colorado, Sarastro at the Seattle Opera, Figaro in
Le Nozze di Figaro at the Florida Grand Opera, the Bonze in
Madama Butterfly at the Washington National Opera, the Bonze, Monterone in
Rigoletto, and Ramphis in
Aida at the Portland Opera; Leporello, Monterone and Sparafucile in
Rigoletto and Don Basilio in
Il barbiere di Siviglia with the Crested Butte Music Festival; Alidoro in
La Cenerentola with the Fargo-Moorhead Opera, the Bonze with Emerald City Opera, Colline in
La Bohème with the Poughkeepsie Opera, and Don Alfonso with Oberlin in Italy. ...
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This season bass-baritone Keith Miller returns to the Metropolitan Opera as Sam in the new production of Ballo in Maschera and as Zurga in Carmen and makes his debut at the Nashville Opera as Sarastro in Die Zauberflöte. He has developed a close relationship with the Metropolitan Opera over the past several seasons, appearing in its new productions of Anna Bolena, Carmen, Armida, Tosca, Salome, Madama Butterfly, and Macbeth, all of which were featured in the popular The Met: Live in HD series. He was also a featured soloist in its inaugural Summer Recital Series in New York City and appeared in its recent revival of Billy Budd.
Other recent opera engagements have included Riolobo in Florencia en Amazonas at Opera Colorado, Sarastro at the Seattle Opera, Figaro in Le Nozze di Figaro at the Florida Grand Opera, the Bonze in Madama Butterfly at the Washington National Opera, the Bonze, Monterone in Rigoletto, and Ramphis in Aida at the Portland Opera; Leporello, Monterone and Sparafucile in Rigoletto and Don Basilio in Il barbiere di Siviglia with the Crested Butte Music Festival; Alidoro in La Cenerentola with the Fargo-Moorhead Opera, the Bonze with Emerald City Opera, Colline in La Bohème with the Poughkeepsie Opera, and Don Alfonso with Oberlin in Italy.
Mr. Miller’s many concert engagements have included Berlioz’ L’Enfance du Christ with the Utah Symphony, Beethoven’s Missa Solemnis with the Fanshawe Chorus London in Ontario, Colline in a concert version of La Bohème with the Rockford Symphony, and Handel’s Messiah with the Chamber Opera of Philadelphia. He also recently held a week long residency with the Savannah Children’s Choir that culminated in a recital and performance with the choir.
Before studying voice at the prestigious Academy of Vocal Arts, Mr. Miller played professional football for 5 years and had the honor of being an Olympic Torch Bearer for the 1996 Games in Atlanta. He currently holds the position of Director of Opera and the Opera Young Artists Program at the Crested Butte Music Festival.
Last updated September 2012. Contact Opus 3 Artists for the most up-to-date version.