The beautiful Korean-American soprano Hei-Kyung Hong is at the height of a career that has taken her to many of the world’s operatic capitals in an enormous variety of roles ranging from baroque to contemporary works. Following a remarkably successful debut at the Metropolitan Opera in 1984 as Servilia in La clemenza di Tito,conducted by James Levine, she has gone on to sing over 350 performances at the Met in an artistic relationship spanning 30 years and counting, including the great Mozart roles Ilia (opposite Plácido Domingo), Pamina, Despina, Zerlina and both the Countess and Susanna; Cleopatra in Giulio Cesare; Puccini’s Mimì and Lauretta; Gilda in Rigoletto and Liù in Turandot (both opposite Luciano Pavarotti); Gounod’s Juliette; Micaëla in Carmen; Antonia in Les contes d’Hoffmann; Adina in L’elisir d’amore; Marzellina in Fidelio; Rosina in John Corigliano’sThe Ghosts of Versailles; Eva in Die Meistersinger von Nürnberg; and Freia in Das Rheingold, again under James Levine.  Several of these performances were either broadcast on the Live from the Met series on PBS or were recorded for DVD and are available on the Deutsche Grammophon label.

Hei-Kyung Hong’s engagements of the 2015-16 season include her long-awaited debut as Cio-Cio-San in Puccini's Madama Butterfly at the Metropolitan Opera, in addition to performances at the Met as Mimi in La bohème. Recent seasons have seen her in Metropolitan Opera performances of La bohème and Carmen, as well as a solo recital at the Kennedy Center in Washington DC and multiple concert tours in her native home of Korea ... read full bio